RME Babyface Pro FS

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24-Channel USB Audio Interface

24 Bit / 192 kHz
Totaal aantal in- en uitgangen: 12
Alle ingangen digitaal gestuurd
4 Analoge ingangen voor microfoons , Line level en instrumenten (XLR, SNR 113,7 dB) (6,3 mm Jack, Line SNR 116,3 dB)
Microfooningangen met tot 65 dB gain, pad, overload protection en 48 V fantoomvoeding
4 Analoge uitgangen: 2x XLR en 2 uitgangen voor hoge en lage impedantie koptelefoons (90 mW uitgangsvermogen)
Optische in- en uitgang - ADAT (SMUX wordt ondersteund) of SPDIF
MIDI-ingang en -uitgang via gesplitste kabel
USB 2.0 (compatibel met 3.0)
RME TotalMix FX software incl. EQ, reverb en delay
Class Compliant
SteadyClock FS voor de laagste jitter en de hoogste jitter-immuniteit
Geoptimaliseerde drivers voor PC en Mac
Standalone gebruik mogelijk
USB bus-powered
Afmetingen (B x H x D): 108 x 35 x 181 mm
Gewicht: 680 g
Incl. USB-C kabel

30 dagen Money-back garantie

Drie jaar Thomann garantie

Leverbaar sinds December 2019
artikelnummer 476426
verkoopseenheid 1 stuk
Recording / Playback Channels 12x12
Number of Mic Inputs 2
Number of Line Inputs 4
Instrument Inputs 2
Number of Line Outs 4
Headphone Outs 2
Phantom power Yes
Number of S/PDIF Connectors 1
Number of ADAT Connectors 1
Numer of AES/EBU Connectors 0
Number of MADI Connectors 0
Ethernet 0
Other Connectors No
MIDI interface Yes
Word Clock No
Max. sample rate (kHz) 192 kHz
Max. resolution in bit 24 bit
USB Bus-Powered Yes
Incl. power supply No
USB Version 2.0
Width in mm 108 mm
Depth in mm 181 mm
Height in mm 35 mm
Connection Format USB port Type B
Included in delivery USB cable, breakoutcable, software
Zero latency monitoring Yes

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Meet the new Babyface - same as the old Babyface?

True, the upgrade of its USB interface has done little to distinguish the new RME Babyface Pro FS from its predecessor, at least from a purely superficial perspective. Beauty is only skin deep, however, and in fact the new Babyface has undergone a major series of internal improvements: There is the new SteadyClock FS (which is also used in the ADI-2 Pro FS), the new AD/DA converter with improved latency, the improved signal noise characteristics of both mic and line inputs, and the more powerful headphone amp - to name but a few of the fundamental upgrades. One thing that hasn't changed is the number of playback and recording channels, with digital and analogue together reaching a total of 12. As a bus-powered interface, the RME Babyface Pro FS is powered by the USB-C cable that is included as standard, so it can do without a separate power cable.

Huge improvements

Thanks to its new AD converter, input latency has been further reduced to a simply astonishing five samples: In practice, this means that the RME Babyface Pro FS needs approximately 0.1 milliseconds to convert the analogue input signal into digital information when using a sampling rate of 44.1kHz. The SteadyClock FS - as used in the ADI-2 Pro FS - ensures an outstandingly low rate of digital transmission errors ("jitter immunity"). The new version's headphone amp now provides the 3.5mm TMS socket with 90mW of output power, as opposed to the earlier model's 70mW. At the same time, the distortion rates have been improved for the two headphone outputs, and the signal/noise ratio of both the mic and line inputs have also been upgraded, to 113.7db for the mic and 116.3dB for the line-in.

A pro on tour

Equipped with the latest generation of AD/DA converters, advanced clocking technology, a clear and comprehensible user interface, and improved signal paths, the new RMS Babyface Pro FS RME has absolutely everything needed to satisfy even the most discerning users. The combination of powerful components, a stable driver, a host of functions, and - most importantly - fantastic sound makes the Babyface simply an incredibly compact and versatile audio interface; not only does it bring enough power for studio recording, but it's also great on the road as a bus-powered interface.

About RME

RME is a brand of Audio AG based in Haimhausen near Munich, Germany. It enjoys a worldwide reputation and is especially known for offering support for all users of any platform thanks to cross-platform connectivity between Windows and Mac OS via various interface formats. An extensive repertoire of audio interfaces, converters and microphone preamps, all based on innovative and extremely powerful core technologies, offer optimum performance to all RME users. This explains why RME's devices are used in a wide range of applications all over the world. From recording studios and theatres to broadcasting companies and scientific institutions, many users rely on the quality of RME products.

A portable all-rounder

The RMS Babyface Pro FS is bursting with all kinds of technical features, making it capable of a huge range of functions: It has four analogue inputs (which in combination with the digital connections provide a total of 12 input channels), a MIDI connection (which provides both input and output via an external multi-cable, enabling users to connect their favourite sound sources directly), powerful microphone preamps with up to 65dB of gain, and AD/DA converters with incredible latency times. What is more, bus operation means that busy musicians and audio professionals can enjoy all these benefits on the move.

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Focusrite Scarlett 2i2 3rd Gen

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4.9 / 5

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Incredible audio interface!

Jorge Pallares 12.06.2020

This is an amazing USB Audio Interface. I've always trusted the RME brand. These guys can make the best possible hardware and affordable prices considering the features and benefits they offer. The RME Babyface Pro FS is no exception.

It's got pristine sound quality. Great quality of conversion in both the DAC and ADC sides. Stable clock technology from the new SteadyClock FS. Great transparent preamps. Great outputs for the headphones. Incredibly low levels of low noise and distortion.

Best performance and low latency. No hiccups of any kind. Can use extremely low audio buffer sizes as low as 48 or 64 samples, without any issues in Ableton Live 10 Suite and Logic Pro X.

Rock solid USB drivers. It's always reliable and trusty.

Awesome quality of construction. Built from a solid block of aluminum and the highest standards. Buttons, meters, dial control, cables, connections are all very nice, stable. Feels durable enough for many years to come.

Comes in solid black carrying case.

Great included software with TotalMix FX and others.

Only pros with this audio interface. There are no cons. Prices is fair for all that it offers.

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Love this

Peter_geo 05.06.2024

A big step up from my Focusrite 2i2. The babyface is expensive but the cheapest RME make. The sound quality is top notch. MIDI in and out plus ADAT make it highly versatile. I’m using it with an Evo SP8 to record drum kits using 9 microphones and it has performed flawlessly. Lots of YouTube videos on how tricky the TotalMix software is. It took me an hour or so messing about to get the hang of it. Once you do though it’s fantastic software. There is a reason this little interface comes out on top in numerous reviews. An added advantage it that it is compact enough to combine with an iPad for a portable high quality recording solution. If you don’t want to spend over a thousand euro this is the one to go for.

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RME Top in their game

Michael1970 16.06.2020

I use RME for 20 years now. No reason to look elsewhere. Their product is still top, audio quality is excellent, hardware based on previous experience should be long lasting(at least 10 years). Most importantly is there is long term support for their products. They don't just abandon an audio card after 2 years like others. Also they let their software and hardware people experiment to optimize staff. They results is that their drivers are ultra stable compared to other manufacturers who don't give their devs enough time to fix staff before moving to the next great thing. In short this Babyface Pro FS is what you expect if your used RME in the past, stability , good drivers, long term support, not cheap components on the pcb. I am not affiliated with RME in any way just a happy customer

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Great DA AD conversion & sound quality!

Christos Pappas 02.07.2022

Great D/A A/D conversion which by the way most people get overlooked on but in a hybrid studio combined with analog gear that is one of the most important elements. Total mix effects is great you can route everything literally and with very low close to (non existent) 0 latency. Would like the option of compression also available on total mix fx as with ufx models. Outputs are a bit of an issue but you can adat it with another - make sure DA conversion is equivalent to RME as with a focusrite is day to night- had to do lots of tests routing my neve gear and api and AB them and seems that RME wins on that matter. It’s built is solid & great to take it with tou wherever you wish to record! Oh and have to state that as long as RME has great audio interfaces their customer support is the less sufficient to put it politely. Great delivery & support from Thomann as always.

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RME Babyface Pro FS

24-Channel USB Audio Interface