the t.bone EM 800

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Condensator Microfoon

Supercardioïde Karakteristiek
Phantom Power vereist om te werken: +48 V
XLR Connector
Impedantie: 200 Ohm
107 dB SPL
Frequentiebereik: 20 - 20.000 Hz (0,1m -10 dB)
Gevoeligheid: -35 dB
Gewicht: 180 g
Incl. Windscreen

30 dagen Money-back garantie

Drie jaar Thomann garantie

Leverbaar sinds Juli 2001
artikelnummer 149139
verkoopseenheid 1 stuk
Battery Powered No
Directional Microphone No
Stereo Pair No
switchable lowcut No
switchable pad No
characteristic cardoid

€ 45

Alle prijzen incl. btw

139

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A budget condenser microphone

The t.bone EM 800 is a condenser microphone that comes at a very beginner-friendly price, which alone makes it quite remarkable. However, what really sets it apart is the fact that the EM 800 covers the entire audible range of human hearing. Users who keep their expectations of a budget microphone within reasonable limits will be more than pleased with their EM 800, as its cardioid polar pattern strikes a successful balance between rear sound shielding and lateral flexibility when compared to supercardioid and omnidirectional models. The scope of delivery here also includes a microphone stand clip, a wind shield, and a transport case.

the t.bone EM 800 small-diaphragm condenser microphone

As far as the ear can hear

The t.bone EM 800 connects to a mixer or recorder via an XLR socket and, being a condenser microphone, requires 48V phantom power to operate. The mic can handle up to 107dB SPL and its frequency response is remarkable, as it is identical to the range of human hearing, from 20Hz to 20kHz. As can be seen from the frequency diagram, the curve rises slightly between 20Hz and 500Hz, and it then remains almost linear before dropping off sharply after a slight treble boost. Measured at 1kHz, the cardioid polar pattern of the t.bone EM 800 boasts optimum characteristics and thus ensures consistent recordings and excellent live performance.

Small diaphragm condenser microphone - detailed view

Get in and get going

For anyone looking for a flexible and budget-friendly microphone for their first performance or recording session, a t.bone EM 800 is an excellent choice. This tried-and-tested tool produces the familiar sound of a condenser capsule, and is suitable for different instruments: Drummers can use the EM 800's cardioid polar pattern to effectively mic up their drumkit's cymbals, but it's equally at home with other percussion instruments, the acoustic guitar, or flute. It's at concerts, though, where the polar pattern is at its most effective, because it isn't susceptible to ambient sounds from behind. The EM 800 is also ideal for podcasts and vocal recordings in a home studio, while inexperienced presenters will also be delighted to find out that the EM 800 delivers great results even when speaking slightly off-centre.

About the t.bone

Since 1994, the t.bone has been one of Thomann's in-house brands, and its name can be found on devices such as headphones, wireless systems, in-ear equipment, and various microphones and matching accessories. "the t.bone" products are made exclusively by renowned companies who also manufacture products for other well-known brands. This provides a clear advantage: Brand-quality products at very reasonable prices. And word gets around: One in seven Thomann customers has already bought at least one product from the t.bone.

For those first live gigs and recordings

To get started with their new t.bone EM 800, users need to activate the phantom power on the input to which they are connecting the microphone. At a gig, this is located on the live mixer, whereas when recording, it can be found on the recording equipment itself. The audio signal enters the console via a standard cable (the sssnake's SM10 BK microphone cable being just one excellent example here), and the final step is to position the microphone using the included clip. The Millenium MS-2003 is an affordable choice of microphone stand: Of course, there is an endless range of similar products, but apart from being useful for singers and speakers, the boom on the MS-2003 allows instruments to be miked up flexibly from the side or above, with the height minutely adjustable for this very purpose.

Dit is wat klanten die dit product bekeken hebben gekocht hebben

the t.bone EM 800 Stereo Set

€ 89

12%

kochten

Behringer C-2 Stereoset

€ 36

kochten

the t.bone Ovid System CC 100

351 Klantenbeoordelingen

5 200 Klanten 4 128 Klanten 3 17 Klanten 2 5 Klanten 1 1 Klant

4.5 / 5

features

geluid

afwerking

Review richtlijnen

193 Recensies

Degelijke Overhead microfoon

Jens Rozenveld 08.07.2024

Ik heb deze microfoon gekocht hoofdzakelijk vanwege de prijs. Omdat ik al eerder gebruik maakte van t.bone producten (en hier ene goeie ervaring mee heb) heb ik gekozen om deze microfoon aan te schaffen.

De kwaliteit van het geluid is niet het zelfde als een RØDE of andere hi-end merken. Maar doet z'n werk prima.
De afwerking is wat plastic achtig, maar is wel zwaar en voelt niet goedkoop aan.

Overal een degelijke, betaalbare micrfoon die voor een drumstel prima te gebruiken zijn!

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nice condenser mic!

Anoniem 23.11.2016

I bought this to amplify my snare drum and it works really good played with it on many stages in front of 200+ people.
for this price is the mic very good we even used it for our 2th singer to sing thru at once it's not like a normal mic but it get's the job done!
Thanks to the Thomman team for the great service!!

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The t.bone EM 800

Razcall 07.04.2025

product works rlly rlly good with clear audio, only the pop filter that comes with it doesnt rlly work that well but its 50 euros so whatever, i rlly recomend getting one

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Vertaling tonen

Origineel tonen

Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.

Brilliant value for money!

Anoniem 02.02.2016

I have to admit, even after reading all the positive reviews I've been pleasantly surprised by this little chap. It comes in a hard plastic case, lined with foam. The plastic feels a little on the cheap side, but should be fine so long as you don't go chucking the case about like a lunatic.

Vocals/speech come through in their entirety, clear and bright. This would work fine for podcasting/commentary's etc, and you get a pretty decent sense of the room you're recording in too, meaning it could do a decent job with a couple of people on one mic. It's also great for recording guitars/instruments as a room mic, where a sense of the space can really make the difference on a recording. I've not tried it for close micing in this situation yet, but I have high hopes.

If you're after a small diaphragm condenser, you can do a lot worse for a lot more cash!

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the t.bone EM 800

Condensator Microfoon