Aansluitingen:
The Tascam Model 16 is a true multi-talent. The feeling of mixing on an analogue console, the functionality of a digital mixing desk – all combined to make it a real audio all-rounder. The Model 16 can be used as a live mixer with integrated effects processor, has a stand-alone multitrack recorder, works as a USB audio interface, and can also serve as a remote control for DAW software in the home studio. The Model 16 has ten ultra-HDDA preamps that deliver first-class, low-noise sound. But the Tascam Model 16 also has a lot of other practical features: The TRRS input for smartphones with mix-minus function, for example, or the separate output for a pair of monitors, including summing fader and metronome click (the tempo of the click can be entered via the tap tempo button). And wherever the Tascam Model 16 is used, the wood-style side panels means it always look good.
The Tascam Model 16 feels much like an analogue mixer, and one that's surprisingly easy to get to grips with: Just plug in mics and instruments, turn up the gain, pull up the faders and off it goes. But that's just the start of the journey with the Model 16 ! The internal recorder can record 16 tracks (14 inputs plus the sum signal), either to an SD card or, in USB interface mode, directly to the studio computer. In stand-alone mode, overdub recordings are also possible. Thanks to its incredible flexibility, the Model 16 is the perfect companion from the first take to the finished final mix. And even then, the Model 16 isn't done yet: With the one-button compressor in the first eight channels, the insert point in the first two channels, the stereo subgroup, and the master EQ section, the Tascam Model 16 also offers a range of really helpful functions for live performances.
The Tascam Model 16 is a kind of Swiss army knife for experimental audio creatives. The wide range of functions, along with its intuitive operation, allow the Model 16 to be used in almost any setting where audio signals need to be processed: In project or home studios, rehearsal or conference rooms, live music and stand-up stages, YouTube or podcast studios, etc. With a single investment, the Model 16 covers an extremely wide range of applications, making it just as interesting for beginners as it is for PA rental companies (having a flexible problem solver up your sleeve is always reassuring). It probably won't find a home in a fully-equipped professional recording studio, though, as the Model 16 only works up to a maximum of 48kHz and doesn't have an SPDIF interface.
Tascam started out in 1971 as Teac Corporation's distributor of professional audio equipment. The name is the acronym of Teac Audio System Company of America. Tascam was a great innovator on the market and pioneered leading technologies of the time, such as multitrack tape and cassette recorders, digital multitrack recorders (DTRS), digital mixing consoles, and so on. Today, Tascam supplies the entire sound industry with products for television and radio studios, recording studios, concert halls, conference rooms, academic institutions, commercial facilities, theatres, internet podcasters and broadcasters, music producers, and musicians.
As a mixer, recorder and interface, the Tascam Model 16 can, in principle, be used anywhere where 14 analogue inputs are sufficient. Two special applications can show the extreme flexibility of the Model 16: Firstly, it can be used as an audio interface in a YouTube or podcast studio, where the TRRS input with mix-minus function makes integrating phone calls a breeze, without annoying echo loops. If there's a lag between picture and sound during streaming, the output signal can be delayed by up to 2,000 milliseconds (requires the firmware update 1.2). On the other hand, with the Model 16, musicians and bands have the option of having playback tracks, including the output of a metronome signal, played back on a separate output via the SD recorder during a live gig.