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Drum machine

  • Rhythm creator
  • 16 Analoge instrumenten met het authentieke geluid van de TR-808 en TR-909 en uitgebreide mogelijkheden
  • 10 Analoge TR-808 instrumenten: Bass drum, snare drum, low tom, high tom, rim shot, hand clap, open hi-hat, closed hi-hat, cymbal & cow bell
  • 6 Analoge TR-909 instrumenten: Bass drum, snare drum, low tom, high tom, rim shot & hand clap
  • 50 Verschillende ACB (Analog Circuit Behavior) sound engines met een breed scala aan parameters
  • FM-klankgeneratie voor digitale percussion sounds
  • Virtuele analoge synthesizer en meer dan 2500 PCM samples voor bass en synthesizer sounds, effecten en meer
  • Stereo sampling en re-sampling met time stretching en beat slicing
  • 46 GB geheugenruimte voor eigen samples (16 bit / 48 kHz)
  • Per instrument: Compressor, filter (multimode-filter of 4-bands EQ), versterker met envelope
  • 4 Instrumenten met layer-functie (2 sound engines), sidechaining en modulatie-LFO
  • Step sequencer met 10 tracks en maximaal 128 steps per track
  • TR-Recording, realtime-recording, motion recording voor parameter-automatisering
  • Geheugenplaatsen voor 16 projecten, 2048 patterns en 2048 drum kits
  • Master-effectensectie met analoog filter en drive, digitale insert-effecten, compressor, reverb en delay
  • Morph-fader voor het overvloeien tussen parameterinstellingen
  • 42 Controls en 10 faders om de instrumenten te bewerken
  • OLED-display en 6 encoders
  • Mix out (2x 6,3 mm jack)
  • Analog FX out (2x 6,3 mm jack)
  • 10 Individuele uitgangen (6,3 mm jack)
  • Stereo hoofdtelefoonuitgang met volume control: 6,3 mm jack
  • External in: 2x 6,3 mm jack
  • Trigger en CV ingangen: 2x 3,5 mm jack
  • Trigger en clock uitgangen: 2x 3,5 mm jack
  • Pedaalingang: 6,3 mm jack
  • MIDI In, Out 1, Out 2 / Thru (5-pins DIN)
  • USB-A poort voor externe apparaten en opslagmedia
  • USB-C poort voor USB-audio en -MIDI
  • Stevige metalen behuizing
  • Afmetingen (B x D x H): 486 x 311 x 125 mm
  • Gewicht: 5,5 kg
  • Incl. netkabel, handleiding en USB-C kabel
  • Leverbaar sinds Oktober 2025
  • artikelnummer 623272
  • verkoopseenheid 1 stuk
  • Sound Synthesis Analog, Samplebased, Synthese
  • Pads 16
  • Effects Yes
  • Bass Yes
  • Display Yes
  • MIDI interface In, Out, Thru
  • Number of analog outputs 14
  • Headphone Connector Yes
  • Mains Operation Yes
  • Battery Operation No
  • Fader(s) 10
  • Sampling Function Yes
  • Storage Medium Internal
  • Footswitch connection 1
  • USB Yes
  • Headphone Output Yes
  • Extras Hybrid Sound Engine
  • Shape Desktop
€ 2.744
Alle prijzen incl. btw
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The TR enters a new era

The TR-1000 is the first Roland drum machine to combine newly engineered analogue TR circuits with modern digital engines, and the first Roland to use new analogue circuitry in 40 years – all in a single flagship instrument. Roland has recreated sixteen iconic 808 and 909 circuits, complemented by digital synthesis engines (ACB, VA, FM, and PCM) and a fully-featured sampling section. These elements can be stacked into multi‑layered kits, with extended controls – such as the 808 kick's Tune and infinite decay – allowing deeper control over classic TR sounds. A flexible performance sequencer, featuring unquantised and motion recording, probability, and fills, is paired with an expressive morph fader, while dedicated sidechain and effects sections complete the design. With its rugged metal chassis, 46GB of user sample memory, and comprehensive connectivity, the Roland TR‑1000 is built to perform both in the studio and on stage.

Roland TR-1000, analogue drum machine

Sequence, layer, sample

At its core, the Roland TR‑1000 is a multitrack powerhouse. Each track is built around a selectable sound engine, with filtering, compression, and effects – ideal for both quick tweaks and more involved editing. Its four dual-layer tracks allow two instruments to be stacked (e.g., an 808 kick and sub-bass), while the remaining six tracks handle the drums and percussion, in typical Roland fashion. Patterns can be programmed via the classic TR-REC grid, or recorded live, then chained into full song structures (with eight variations and fills) that can be recalled in Song mode. A high‑resolution display with six encoders supports real-time editing, and the sampling engine – complete with transient detection – captures, time-stretches, slices, and resamples loops or one-shots on the fly, assigning them directly to the step keys for instant playback.

Roland TR-1000, analogue drum machine

Analogue hybrid

The Roland TR-1000 is a hybrid setup specialist, serving as the centrepiece of a live rig, a studio beat-crafting tool, or the rhythmic backbone of a band. Its blend of analogue circuits, digital engines, and sampling section adapts effortlessly to spontaneous jams or polished productions. Per-track controls, the morph fader, and snapshots (storing up to 16 recallable track states) keep real-time adjustments – variations, fills, and breaks – at the user's fingertips, even in dense patterns. Unquantised recording and micro-timing humanises grooves, while Step Loop and queued pattern chaining cater to improvisers and composers alike, ensuring full creative control over complex arrangements. Live electronic musicians, studio producers, and hybrid bands will find it a reliable and flexible centrepiece for their rhythmic workflows.

Roland TR-1000, analogue drum machine

About Roland

Roland was founded in 1972 in Osaka, Japan, and has been designing and building electronic musical instruments ever since. During its successful history, Roland has launched many ground-breaking instruments, from legendary drum machines such as the TR-808 and the TR-909 to synthesizer classics like Jupiter-8, SH-101 and the iconic TB-303. Besides synthesizers, Roland's workstations and electric pianos are also very popular. Equally well-known is Roland’s subsidiary Boss, under whose brand name it designs and sells principally guitar pedals and effects units. Under the Roland Professional A/V label, the company additionally develops and distributes professional equipment for virtually every branch of audio and video production – from home studios through to commercial applications.

Comprehensive connectivity, complete control

With its comprehensive collection of inputs and outputs, the Roland TR-1000 fits easily into almost any setup. Stereo main outputs, a dedicated pair of FX outputs, and ten 1/4" jack outputs – configurable as individual outputs or trigger outputs – feed desks, interfaces, or outboard gear, while external inputs route synths, grooveboxes, or even vocals into the TR-1000's internal effects and sidechain. MIDI I/O, DIN sync, and USB audio/MIDI integrate smoothly with DAWs, DJ mixers, or controllers, while the dedicated desktop app supports sample editing, kit management, and multi-channel routing. Additional 1/8” trigger, clock, and filter CV connections further extend compatibility with modular systems or vintage drum machines.

In the spotlight

16 Klantenbeoordelingen

4.6 / 5

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12 Recensies

V
Ok-ish
V.in 21.06.2026
This machine will be loved by many people worldwide. However, Its not for me. Its well designed, its got an OK built quality (for 2026 standards). And it is very complete feature wise. The GUI is good too.
But I don’t feel it. Really wish i did. I have spend a lot of time with it. But it does not inspire me at all. And frustrates me more then it gave joy / results.

But like mentioned above, i am 100% sure lots of people will love it. And i am glad that Roland chose the path of making instruments like the tr1000 again.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
JM
Interesting instrument, but...
John Monolith 11.07.2026
I have been using the Roland TR-8S almost since the day it was released, so I was immediately excited when I first heard about the TR-1000. After watching the initial reviews, I could clearly see that it was a close relative of the TR-8S, and I started waiting for the first opportunity to finally buy this long-awaited instrument. However, Roland took quite a long time to make it available.

Eventually, I received my TR-1000, and I would now like to share a detailed comparison for anyone who is still considering it or having doubts.

Sound
1. The sound has genuinely improved compared with the TR-8S. Thank you, Roland.
2. The analog filter and distortion sound great.
3. The reverb and delay are essentially the same as before. They still have no additional or hidden parameters to adjust.

Hardware
1. Roland removed the dedicated Shuffle/Swing knob. You now have to dive into the menus just to change this parameter.
2. There are many assignable knobs, which sounds useful in theory. In practice, however, some of them remain completely unused in many kits and instruments because there are either too few assignable parameters or none at all.
3. A dedicated Stop button that can be disabled is definitely a win.
4. The additional analog clock connections are also a welcome addition.
5. The Fill In Trig button is located in a very inconvenient position.

UX
1. The Cue mode is inconvenient to use. There is also no way to send the Ext In signal to Cue.
2. The instrument settings are mostly the same as on the TR-8S, although they are now organized a little more logically and are not scattered across the menus quite as badly.
3. There are also some minor interface issues. For example, when trying to select a higher Auto Off value, it sometimes simply does not work.
4. It is not entirely clear why there is a dedicated Vari Chain button when variations can still be selected by holding down their corresponding buttons, just as they could on the TR-8S. What exactly does this button improve or change in the workflow?

Morph
Morph is a great idea that does not work particularly well in practice.
In reality, it is not really morphing. It is simply several parameters assigned to a single fader. As I mentioned earlier, many instruments have a very limited number of assignable parameters. As a result, the function often fails to reach its full potential.

Scatter
On the original TR-8S, Scatter was my favorite and most frequently used effect. I always had it assigned to Fill In Trig.
By using it together with Ext In, I could create drum fills and transitions without really having to think about them, relying entirely on my sense of rhythm. It was especially useful because Fill In Trig could operate in Momentary mode.
On the TR-1000, Scatter has been moved into the MFX section, but Roland did not add a Momentary mode. It is now limited to Latch operation. As a result, turning drum fills on and off has become an extremely inconvenient process.

Overall Impression
At the moment, I feel that I will probably use the TR-1000 for one or two live performances, then put it on a shelf as part of my collection and continue using the TR-8S.

The TR-8S is simply more convenient for live performance.

I hope that someone at Roland reads this review and improves the instrument, because in its current state, the TR-1000 sometimes feels more like the SH-4d in terms of usability.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
i
Superb dark techno machine, with one flaw Thomann handled well
invstgtr 14.07.2026
I use the TR-1000 as the rhythmic core of a hardware-first techno setup, and as an instrument it delivers. The analog and digital hybrid engine covers everything from deep sub kicks to sharp industrial percussion, and the depth of per-step editing, motion recording and variations makes it a proper performance and sound-design tool, not just a drum machine. The sound quality is excellent and it sits comfortably alongside serious gear.
The one real issue: after about eight months, the coating on the PTN SELECT button started peeling. This is a known production-run defect, not something caused by use. What matters is how it was resolved. Thomann's export service handled it properly, arranged a prepaid warranty return, confirmed with Roland that all buttons would be replaced with a revised type that will not peel again, and supplied the customs documentation for the return. Communication was clear and patient throughout. The unit is still in for repair as I write this, so I cannot yet confirm the fix long-term, but the support experience has been exactly what you would want when a flagship product has a defect.
If the button issue is behind it, this is a near-faultless machine for dark, industrial, analog techno. Recommended, with the note that Thomann stood behind it.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
M
Incredible
Muzman 17.12.2025
I had to wait some time to receive it, but it was love at first play. The construction is well built, premium materials. The knobs are not flimsy, but rubber and robust.
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