Rode Wireless GO (Gen 3)
Digitale 2-kanaals draadloze microfoon
- Geschikt voor camera, smartphone, iPhone en computer
- Twee zendermodules (TX) met geïntegreerde condensatormicrofoon (omnidirectionele capsule) en één ontvangermodule (RX) met headset-aansluiting voor een derde microfoonsignaal
- Kosteloze en registratievrije 2,4 GHz band
- Maximaal geluidsdrukniveau: 123,5 dB SPL (interne microfoon)
- Frequentiebereik: 50 - 20.000 Hz (interne microfoon)
- Bereik: 260m met vrije zichtlijn
- 3,5 mm TRS-aansluiting op de zender voor een externe lavalier-microfoon
- Intelligente GainAssist automatische niveauregeling
- Aansluiting met buitenschroefdraad voor het vastzetten van de Lavalier II
- 32-Bit-float-opname in de zendermodule - meer dan 40 uur geheugen
- Ontvangermodule met USB-C-aansluiting en 3,5 mm TRRS-aansluiting
- Met LC-display voor het weergeven van verbinding, niveau, oplaadstatus en modus
- Kan worden gebruikt als hoofdtelefoonuitgang, uitgang naar de camera of headset-aansluiting
- Stroomvoorziening via interne lithium-ion batterij
- Batterijcapaciteit: max. 7 uur
- Afmetingen (per module): 46,5 x 44 x 20 mm
- Gewicht (zender): 35 g
- Gewicht (ontvanger): 36 g
- Incl. drievoudige USB-laadhub, 3,5 mm TRS-verbindingskabel SC2, USB-C naar Lightning-kabel SC21, USB-C naar USB-C-kabel SC22 en 3 x bont windkap en neopreen draagetui
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Leverbaar sinds December 2024
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artikelnummer 606542
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verkoopseenheid 1 stuk
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Capsule Type Condenser
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Microphone Colour Black
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Receiver Type mobile
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Frequency 2400 MHz
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Transmission system Digital
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Channels Lapel Microphone 2
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Dante No
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Transmitting System Digital
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Wireless Channels 2
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Pattern omnidirectional
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Handheld Transmitter 0
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Pocket Transmitter 2
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Microphone Plug Transmitter 0
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Receiver Width in mm 44 mm
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Power Transmitter Li-ion Battery
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Multi Channel No
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Receiver Height in mm 20 mm
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Microphone Type Lapel Omnidirectional
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Transmitter Input 3,5mm TRS
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Receiver Weight in kg 0,036 kg
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Hot Shoe Adaptor No
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Power Receiver Li-ion Battery
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Removable Antenna No
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Battery Status Monitor Yes
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Output 3,5mm TRS
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Charging System Yes
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Rackkit No
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Integrated battery Yes
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3rd-gen freedom for filmmakers
Rode presents the third generation of its Wireless GO system, a compact and intuitive dual-channel wireless microphone solution for filmmakers, presenters, musicians, and content creators at large. The Wireless GO (Gen 3) consists of a receiver with a 3.5mm headset output and two transmitters, each equipped with a built-in omnidirectional microphone and 3.5mm input for external lavaliers. Available in 12 vibrant colors – including black, white, pink, blue, and more – the system allows users to match their gear to their style or environment. The system allows simultaneous 2.4GHz transmission and 32-bit float internal recording, offering increased headroom and near-elimination of distortion. Up to 40 hours of audio can be stored internally in three selectable modes, and GainAssist technology automatically adjusts input levels in real time, ensuring clean recordings in any environment – whether indoors or outdoors.
Transmission and recording
Each transmitter features a built-in omnidirectional condenser microphone, capturing sound evenly from all directions. This ensures every voice is recorded clearly, no matter where it comes from – making the system ideal for quick setups, interviews, or dynamic environments. For more tailored audio capture, users can connect an optional lavalier microphone or a headset mic via the 3.5mm input on each transmitter. A dedicated record button next to the microphone provides instant start/stop control, while a phase inversion switch on the underside resolves any alignment issues. The receiver supports three recording modes: Merged Mode combines both signals into a single track, Split Mode records each signal separately for individual editing (separate tracks), and finally Safety Channel creates a backup track at -10 dB, ensuring distortion-free audio even if unexpected volume spikes occur.
Flexible and reliable
Designed for video professionals, journalists, and mobile filmmakers, the Rode Wireless GO (Gen 3) prioritizes ease of use without sacrificing performance and provides an intuitive solution for capturing audio in spontaneous settings – whether on the way to a concert, during band rehearsals, or in the studio. Since no technical expertise is required, it is perfect for fast-paced environments where reliability is key. The system is compatible with Android, iOS devices, computers, and cameras, and its 260m line-of-sight range ensures stable transmission even over long distances. For added security, the Safety Channel records a second track at -10 dB, providing a backup track for unexpected volume spikes.
About Rode
Founded in Sydney, Australia in 1990, Rode is a specialist in high-quality studio microphones. With its very first in-house, completely Australian-built model, the NT2 large-diaphragm microphone, the company created a classic which is still produced in its current and enhanced version, the NT2-A. An extensive range of studio and live microphones has also been added, regularly updated, and expanded over the years. These new additions include a variety of professional microphones which are designed for video and mobile applications and can be connected directly to SLR cameras or smartphones.
Highly adaptable and versatile
The receiver unit of Rode Wireless GO (Gen 3) outputs audio in either digital or analogue format – via the USB-C port or the 3.5mm output jack – and simply connects with cameras, smartphones, or other recording devices. Users of other Rode Series IV wireless solutions can pair the transmitters with devices like the Rodecaster Pro II or the Rodecaster Video. Thanks to their innovative clip design, the transmitters can be securely mounted on belts, pockets, collars, or cold shoe adapters such as the Rode DCS-1. All components are powered by built-in lithium-ion batteries, providing up to seven hours of operation on a full charge.
In the spotlight
Omnidirectional polar pattern
Microphones come with different polar patterns, depending on the direction from which the transducer picks up the most signal. With an omnidirectional polar pattern, sound waves from all directions (360 degrees) are captured at virtually equal volume, which results in a very natural sound image but can be impractical in noisy environments. Microphones with narrower directional characteristics, such as the cardioid polar pattern, are much better suited to such environments, as they directly eliminate or significantly reduce more unwanted noises.
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