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60-Kanaals USB audio interface

  • AD/DA converter met maximaal 24 bit / 192 kHz
  • 30 Input / 30 output kanalen
  • Digitale gain control voor alle ingangen - microfoon, line, instrument
  • MIC in: Max. +18 dBu, 75 dB gain range
  • DURec functie - rechtstreeks opnemen op een USB-medium
  • Steady Clock FS voor maximale jitter-onderdrukking
  • DSP met EQ, dynamics en reverb
  • TotalMix FX-software - 1800-kanaals mixer met 46 bit interne resolutie
  • DIGICheck software - metering en analysis tool
  • TFT-display en volume control
  • Stand-alone gebruik
  • DC-gekoppelde uitgangen
  • iPad-compatibel (class-compliant-mode)
  • Formaat: 19" / 1U
  • Incl. USB-kabel

Aansluitingen:

  • 4 Microfoon /instrument ingangen: Combo XLR / 6,3 mm jack
  • 8 Line ingangen: 6,3 mm jack
  • 2 Line uitgangen: XLR gebalanceerd
  • 8 Line uitgangen: 6,3 mm jack gebalanceerd
  • AES/EBU ingang en uitgang: XLR
  • Wordclock ingang en uitgang: BNC
  • 2 ADAT ingangen en uitgangen - of 1x ADAT en 1x S/PDIF optische ingang en uitgang
  • 2 MIDI ingangen en uitgangen
  • Remote ingang voor optionele RME ARC USB (art. 402467 - niet inbegrepen bij de levering)
  • 2 Stereo hoofdtelefoonuitgangen: 6,3 mm jack
  • USB 2.0 aansluiting
  • Leverbaar sinds Maart 2017
  • artikelnummer 409662
  • verkoopseenheid 1 stuk
  • Recording / Playback Channels 30x30
  • Number of Mic Inputs 4
  • Number of Line Inputs 12
  • Instrument Inputs 4
  • Number of Line Outs 8
  • Headphone Outs 2
  • Phantom power Yes
  • Number of S/PDIF Connectors 0
  • Number of ADAT Connectors 2
  • Numer of AES/EBU Connectors 1
  • Number of MADI Connectors 0
  • Ethernet 0
  • Other Connectors No
  • MIDI interface Yes
  • Word Clock 1xIn, 1xOut
  • Max. sample rate (kHz) 192 kHz
  • Max. resolution in bit 24 bit
  • USB Bus-Powered No
  • Incl. power supply Yes
  • USB Version 2.0
  • Width in mm 483 mm
  • Depth in mm 242 mm
  • Height in mm 44 mm
  • Connection Format USB port Type B
  • Included in delivery USB cable, firewire cable, TOSlink cable, software
  • Zero latency monitoring Yes
€ 2.099
Alle prijzen incl. btw
Direct leverbaar
1

45 Klantenbeoordelingen

4.8 / 5

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28 Recensies

AL
Da Bomb
Alain Labrie 22.07.2019
Gewoonweg de beste audio interface op de markt. Superbe kwaliteit! Klank is fantastisch, helder en diep. Bediening is even zoeken maar snel te begrijpen. Bijgeleverde software is fantastisch als je het eenmaal snapt maar had wellicht duidelijker gekund. koste me een paar uur voordat ik de koptelefoon en speakers aan kreeg maar dat lag wellicht aan mijn gebrekkige inzicht en onwil om de handleiding te lezen. Daarna blijkt dat de patch mogelijkheden bijna oneindig zijn. Het apparaat is duidelijk gebouwd om heel lang mee te gaan. Aanrader!
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
S
Just great
Sonica.be 18.02.2022
I've been wanting one of these ever since I started doing audio. One of my teachers in audio school had one of these and spoke very highly of it.
I looked at other interfaces over the years but this one kept coming up as my preferred option.
Once my trusty Saffire pro 24 started showing age and I felt the need for some more inputs I went for it.
Painfull in the wallet but well worth it, comparing it to other interfaces you get a lot for your money.
Super clean pres with boatloads of headroom, plenty of ins and outs and built like a tank.
Support is just as great as focusrite's and Totalmix is just a pleasure to work with.
I love the little screen on the front so I can check my levels instantly and the autoset function has proven to be super usefull when the artist's dynamics are all over the place.
The onboard effects are very nice and are a big upgrade compared to my previous interface. My monitor mixes are way better now.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
s
For professional quality I would turn nowhere else
scoffey 11.04.2019
I have actually purchased a second one of these as the first has been so good.

For professional quality with regards to signal and hardware robustness it has not faulted me.

One note of caution. If installing drivers and software on mac be aware that after the machine reboots the software must be authorized in System Preferences > Security. This isn't stated in the RME documentation and initially caused us some confusion.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
T
Incredibly good!
Tuxie 21.05.2024
Compared to my old Focusrite Scarlet, I get less than half of the latency at the same buffer sizes, meaning I can use larger buffer sizes than with Focusrite for better VST performance while keeping latency low enough. RME's custom USB driver provides near-thunderbold performance over USB 2, which is impressive.

The UFX II has gotten ALL features of the UFX III added via driver and firmware updates during the last year. Even their decade-old discontinued interfaces continue to get all improvements that their hardware can physically handle. This level of long-term dedication to supporting and improving old hardware is why I won't use non-RME interfaces going forward. Other brands tend to have the attitude that their hardware's feature sets should be locked to what it was at release day and never backport any features, just bugfixes.

The UFX II has also gotten "secret" hardware revisions since its release, adding SteadyClock FS and improved components so if you buy a new (revision 7) UFX II today you pretty much get a UFX III without MADI support.
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