Polyend Mess
Multi-effect pedaal voor elektrische gitaar
- Multi-effect step sequencer pedaal
- Kan worden gebruikt als een klassiek multi-effect pedaal met maximaal 4 effecten tegelijkertijd
- 4-Track step sequencer met 16 steps maakt complexe effecten mogelijk
- Aan elke track kan een effect uit meer dan 120 effecten vrij worden toegewezen
- 11 Effect types: Reverb, pitch shifter, grabular burst, modulation, panning enz.
- Meerdere effectparameters per step programmeerbaar
- Programmeerbare probability, polyritmes en polymeter, tap tempo
- MIDI in/out als 3,5 mm TRS-jack (TRS-MIDI type B)
- USB-C aansluiting
- 2x TRS jack uitgang
- 2x TRS jack ingang
- Stroomvoorziening met een DC-netadapter (niet inbegrepen bij de levering)
- Afzonderlijk verkrijgbare, geschikte netadapter art. 409939
- Gewicht: 0,93 kg
- Afmetingen: 180 x 120 x 57 mm
- Incl. 32 GB microSD kaart
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Leverbaar sinds Juli 2025
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artikelnummer 617500
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verkoopseenheid 1 stuk
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Design Pedal
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Amp Modeling No
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Drumcomputer No
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Incl. Tuner No
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Expression Pedal No
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USB-Port Yes
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Headphone Output No
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MIDI Interface Yes
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Line Out Yes
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Battery Operation No
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PSU included No
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Effects Yes
Multi-FX and step-sequencer in one
The Polyend Mess goes far beyond what conventional multi-effects units are capable of: It combines an extensive editable effects package with a powerful step sequencer, all in a compact and robust device. Up to four effects can be used simultaneously, enabling virtually endless configurations of the more than 120 algorithms, which fall into eleven separate effect categories – including delays, filters, glitch tools, pitch effects, reverbs, and granular processors. And for even more, almost uniquely modular control, each of the four tracks can be assigned its own effect, and each individual step in a sequence can be precisely modulated – including parameter automation, randomisation, polyrhythms, and incremental, step-by-step control. This level of detail enables entirely new creative workflows where sound processing and sequencing merge. The Polyend Mess is thus ideal for sound designers, live performers, and experimental musicians looking to break away from traditional effects processors.
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Sequencing as an artform
With its four-channel step sequencer, and up to 16 steps per track, the Polyend Mess is capable of creating complex – and interactive – sonic landscapes. At each individual step, the entire palette of parameters can be adjusted independently, including delay times, feedback levels, mix ratios, and filter cutoffs. And because each track can be individually clocked and shifted, it's possible build and layer complex rhythms and polyrhythms: Effect tracks can run in sync or be offset against each other, producing rich, dynamic textures. When the Polyend Mess is used like a traditional multi-effects unit, up to four effects can be used simultaneously. Either way, it's intuitive and easy to use thanks to its high-resolution display and a matrix of illuminated push buttons. MIDI I/O (TRS Type B), a USB-C port, and a microSD slot ensure smooth integration into studio or live setups.
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Exploring a universe of sound
The Polyend Mess is ideal for musicians who want more than just the standard set of effects. Guitarist in particular stand to benefit from this pedal's sequencing-powered possibilities, especially if their performances revolve around controlling their effects in real time with dynamic parameter curves, versatile modulation patterns, or even spontaneous randomisation. Sound designers and ambient artists are also sure to find new approaches to manipulating sound with the Mess, be it to create structured sound collages, textured pads, or glitchy rhythms with controlled irregularity. With its compact design, rugged build, and intuitive interface, the Mess will prove a reliable partner for anyone with an open mindset toward sonic experimentation, serving as a creative hub whose concept goes far beyond traditional effects units and delivering entirely new impulses for musical expression.
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About Polyend
Polyend was founded in 2015 in northeastern Poland by Piotr Raczyńsky and a team of dedicated designers, technicians, programmers, and musicians. The company focuses on the development of new creative possibilities. The first product to be released was named "Perc" and was a drum machine that created quite a stir on the market. Next, Seq and Poly, two interfaces which can be used to control both hardware and software instruments, were unveiled. Other products in Polyend's range include various modules for the Eurorack modular system and also the Medusa hybrid synthesizer, which was designed in cooperation with the Greek synthesizer manufacturer Dreadbox.
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Avant-garde audio aesthetics
Whether it's granular reverb spaces, rhythmically triggered filter sweeps, or modulated delay chains – the Polyend Mess makes entirely new approaches possible in the endlessly creative world of effect design. It's perfectly suited to live performances where parameters need to be changed or automated in real time – either as a pedalboard's only or primary tool, or in combination with a more modular system. In the studio, it adds an avant-garde touch to re-amping workflows, breathes life into static loops, and fluidly re-forms field recordings. Thanks to the device's MIDI synchronisation and step automation functions, sound designers can compose dynamic, continuously evolving effect scenarios, while even traditional inputs like guitars, vocals, or drum loops can be quickly be given new dimensions through the step-based modulation approach. All of this makes the Polyend Mess a true creative tool for modern audio aesthetics.
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