Moog Matriarch SR Case Bundle

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Moog Matriarch

4-delige semi-modulaire paraphone synthesizer met patchopties

Analoge geluidsgeneratie
256 stappen sequencer
Arpeggiator
Stereo ladderfilter en stereo analoge delay
Gebaseerd op de circuits van Moog Modular Synthesizers
4 analoge oscillatoren met selecteerbare golfvormen
Mixer met 6 ingangen
2 viertraps ADSR's
3 bipolaire spanningsgestuurde attenuators met opties voor ringmodulatie
2 discrete analoge stereo gerouteerde VCA's
Keyboard met 49 toetsen en aftertouch via MIDI-, KBD VEL OUT- en KB AT OUT-connectoren
Pitch- en modulatiewielen
90 patchpunten 3,5 mm pal aan de voor- en achterkant
Afmetingen (BxHxD): 812,8 x 139,7 x 361,9 mm
Gewicht: 10,89 kg
Incl. patchkabels en externe 12V-voeding

Verbindingen:

2 lijnuitgangen: 6,3 mm jack
Stereo koptelefoonuitgang: 6,3 mm jack
2 uitgangen: 3,5 mm mini-jack
Delay 2 uitgangen evenals sync- en CV-ingang: 3,5 mm mini-jack
Arpeggiator / sequencer clock-ingang / On-Off ingang / Reset en clock-uitgang: 3,5 mm mini-jack
Instrumentingang: 6,3 mm jack
MIDI In / Out / Thru
Expressiepedaal naar CV
Sustain-pedaalingang

Moog Matriarch SR Series Case

Transporttas voor Moog Matriarch

Materiaal: schuurbestendig 1680D Cordura
Waterbestendig
Gelamineerde ritsen
Versterkte naden
Metalen klinknagels
Draaggreep
Afneembare schouderriem
Afneembare rugzakbanden
Schuimstof binnenvoering
Binnenafmetingen (B x H x D): ca. 812,8 x 139,7 x 361,9 mm
Buitenafmetingen (B x H x D): 863,6 x 177,8 x 406,4 mm

30 dagen Money-back garantie

Drie jaar Thomann garantie

Leverbaar sinds Oktober 2023
artikelnummer 579026
verkoopseenheid 1 stuk
Number Of Keys 49
Touch-Sensitive Yes
Aftertouch Yes
Split Zones No
Modulation Wheel Yes
Number of simultaneous Voices 4
Sound Engine Analogue
MIDI interface 1x In, 1x Out, 1x Thru
Storage Medium None
USB-port Yes
Effects Delay
Arpeggiator Yes
Number of Analog Outputs 2
Digital Output No
Display No
Pedal Connections 1x Pedal, 1x Sustain
Dimensions 813 x 140 x 362 mm
Weight 10,9 kg

€ 2.299

Alle prijzen incl. btw

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What you see is what you get

The Moog Matriarch is a further enhancement of the semi-modular Moog Grandmother. In contrast to the monophonic Grandmother, however, the Matriarch has four voices. The semi-modular design has adopted almost exactly. Instead of 41 patch points, the Matriarch has 90. Incidentally, the system is compatible with the other (semi-)modular Moog products as well as other modular synthesizers. The four analogue oscillators and the classic ladder filter are based on the old Moog modular systems, as are many aspects of the design. The whole thing comes in the usual solid and very stylish housing with a high-quality 49-key Fatar keyboard. There are no digital frills on the Matriarch, and no presets either: What you see is what you get. This bundle includes a sturdy case with backpack straps.

Not a mummy's boy

In addition to the oscillators and filters mentioned above, the Moog Matriarch features an analogue stereo bucket brigade echo that mirrors the unit's retro visual aesthetic. Nevertheless, the Matriarch also has a few modern features in store. On the back, for example, there is a USB connection next to the 5-pin MIDI connections. On the front, Moog offers an arpeggiator as well as a sequencer, which offers more than enough space even for the most extensive melody featuring 256 steps. As befits a modularly designed device, the classic utilities can also be found there - a signal splitter (Mult) and an attenuator, with which control signals can be amplified or attenuated.

A purist without digital frills

One thing should be clear: Like any Moog, the sound of the Matriarch is beyond reproach. If you buy a Moog, you get a Moog sound, and if you want a Moog sound, you buy a Moog - it's as simple as that. The Matriarch is certainly no Swiss army knife, but a purist without digital frills. Thanks to its polyphony, keyboardists will get their money's worth, and those who already have a modular system will find the Moog Matriarch a control centre for all eventualities. For example, an external sequencer can be integrated with ease, and the Matriarch's keyboard virtually invites you to control a modular system via CV and gate.

About Moog

The US manufacturer of synthesizers, based in Asheville, North Carolina, is one of the pioneers in this field and has legendary status. Robert Moog had been involved with electronic sound generation since the 1950s and his first experience was with the manufacture of theremins. The breakthrough came in 1968 with the Grammy-winning album "Switched-On Bach" by musician Wendy Carlos (then know as Walter Carlos), recorded in multitrack with a mono synthesizer. The Minimoog, released in 1971, became the most popular synthesizer of the 1970s and is still considered the benchmark for the quality of synthesised sounds. It and the following devices, like the Memorymoog, Polymoog, and Prodigy, shaped the sound of numerous albums, from Stevie Wonder to The Police and from Saga to Kraftwerk.

The sound lab

In contrast to "modern" models, Moog follows a purist approach - as exemplified by the Grandmother and Matriarch - in which digital flourishes are largely avoided. The Matriarch is the no-nonsense version of a polyphonic Moog. If you are looking for a versatile sound laboratory for tinkering and interconnecting, you will find it here. With the Matriarch, Moog has expanded the functional range of the Grandmother by several dimensions and presents a work of art with character in an appealing retro design. If you didn't know that this was a synthesizer from a well-known company, you might get the impression that you were looking at a sinfully expensive boutique synth. The case included in the bundle has sturdy backpack straps and allows the instrument to be stored and transported securely – whether you want to stow it among your other gear in the back of your car or maybe carry it on your bike.

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