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Harley Benton CLG-650SM-CE VS SolidWood

4.6 van de 5 sterren van 47 klantbeoordelingen ()

Volledig massieve Westerngitaar met pickup

  • Bodyvorm: Grand Auditorium met Venetian Cutaway
  • Bovenblad van massief geselecteerd Afrikaans A-grade mahoniehout
  • Scalloped X Bracing
  • Body met armrest van massief geselecteerd Afrikaans A-grade mahoniehout
  • Hals: okume
  • Fretboard: HPL
  • 6 mm Parelmoeren dot fingerboard inlays
  • Dovetail constructie
  • Halsprofiel: C
  • Fingerboard radius: 400 mm
  • Scale: 650 mm
  • Topkambreedte: 43 mm
  • 20 frets
  • Houten bindings
  • Abalone rozet
  • Brug basis: HPL
  • Topkam en brugzadel van been
  • Parelmoer Split Rhombus kopplaat inlay
  • 400 mm Double Action trussrod
  • Parelmoer dot-brugpinnen
  • gesloten WSC DLX stemmechanieken
  • HB-03 pickupsysteem met ingebouwd stemapparaat
  • voorgemonteerde besnaring: D'Addario EXP-16 .012 - .053
  • Bovenbladkleur: Vintage Sunburst Ultra Hoogglans
  • Kleur body: Naturel
  • bijpassende koffer: art. 250337 (niet bij de levering inbegrepen)
  • Leverbaar sinds Juni 2025
  • artikelnummer 461146
  • verkoopseenheid 1 stuk
  • Design Grand Auditorium
  • Top Solid Mahogany
  • Back And Sides Solid Mahogany
  • Cutaway Yes
  • Fretboard HPL (High Pressure Laminate)
  • Nut width in mm 43,00 mm
  • Frets 20
  • Pickups Yes
  • Colour Sunburst
  • Case No
  • Incl. Gigbag No
€ 329
Alle prijzen incl. btw
snel beschikbaar (ca.2-5 dagen)
1

Affordable luxury

100% solid wood, Venetian cutaway, and the ideal pickup system: Harley Benton has packed all the features that make a high-quality and desirable acoustic guitar into the CLG-650SM-CE VS. As if that weren't enough, the guitar also boasts an armrest – an impressive feature that is only rarely seen, even in the luxury price bracket. And all of this comes with an irresistible price tag.

Solid presence

With its comfortable grand auditorium body shape and cutaway, the Harley Benton CLG-650SM-CE VS is an acoustic guitar destined for the stage. The body and top are made completely from solid mahogany, which subtly emphasises the guitar's mid frequencies and allows it to cut through the mix with ease. To maximise comfort, the body's front edge also incorporates a bevelled armrest for the player's picking arm, and the mahogany neck features an ebonol (composite) fingerboard with a nut width of 43mm. Last but not least, the CLG-650SM-CE VS features the proprietary HB-03 pickup system that accurately amplifies the guitar's acoustic sound, while blending in discreetly with its overall appearance.

The stage is yours…

The range of features on the Harley Benton CLG-650SM-CE VS – the comfortable body shape, the cutaway, and of course the high-quality pickup system complete with bass and treble controls, as well as a tuner – make it immediately clear that this guitar was made for the stage. The comfortable armrest is a blessing both to guitarists who enjoy playing expressively and to those who need to be on stage for hours at a time. Anyone who's felt the difference this feature makes will never want to be without it again!

About Harley Benton

Since 1998, the Harley Benton brand has been catering for the needs of numerous guitarists and bassists. In addition to an extensive range of stringed instruments, Thomann's house brand also offers a wide choice of amplifiers, speakers, effect pedals, and other accessories. In total, the range includes over 1,500 products. Built by established names in the industry, all Harley Benton products combine quality and reliability at attractive and affordable prices. The continuous expansion of the range ensures that Harley Benton always provides new, exciting, and innovative products that keep players perfectly in tune with the musical world, day after day.

A professional sparring partner

With its solid top and a nut width of just 43mm, the Harley Benton CLG-650SM-CE VS is clearly a serious proposition for acoustic guitarists; both its playability and the sound from the solid mahogany top will fulfil the needs of even the most demanding players. It may not offer the same level of comfort as an electric guitar, but the CLG-650SM-CE VS does provide plenty of space for all manner of playing techniques. And it almost goes without saying that the attractive vintage sunburst finish and real wood ornamentations will make this guitar stand out on any stage.

47 Klantenbeoordelingen

4.6 / 5

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37 Recensies

CT
Hij ziet er leuk uit....
Chris Tamminga 14.09.2021
Op zicht een gitaar bestellen is niet altijd een goed idee en dat was het bij deze zeker niet. Ja ik vind het mooi dat waar je arm rust een soort van hoek uitgesneden is. Vormgeving en uiterlijk prachtig. De audio knoppen stijvol bij het geheel. Alleen de gitaar is niet stevig. Dwz deze vervormd wanneer je je snaren vervangt. Daarna blijf je maar bijstemmen en dat met elixir snaren... De aansluiting van de jack bleek ook niet in orde en hoewel Thomann oplossingen biedt wil ik graag een gitaar die gelijk goed is. Al met al een mooie gitaar alleen deze zou ik niet aanbevelen, hier moet nog wat aan stevigheid gewerkt worden
Geluid is helder over de hele breedte, dat is zeker een plus.
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Geen aanrader
Rob Elfrink 18.02.2021
Ik heb veel Harley Benton gitaren omdat ik vind dat je veel gitaar krijgt voor weinig geld. Daarom waren mijn verwachtingen hoog voor deze gitaar met een zeer hoge prijs vergeleken met de rest van de lijn. Maar deze gitaar schiet op veel gebieden tekort. De fretten zijn zeer slecht afgewerkt en de snaren lopen verscheidene plaatsen aan. Daarnaast is het akoestische geluid dun en geeft nauwelijks bas. Heet ontwerp is mooi en de materialen zijn goed, maar als ik dit van tevoren had geweten had ik deze gitaar niet gekocht.
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Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
S
Almost Great
Snag66 30.11.2019
This was my 8th HB guitar ordered from Thomann, and certainly the most expensive. That being said, I had high expectations that this guitar would my best purchase yet, and would require very little “correction” right out of the box. Other HB purchases usually needed small adjustments in intonation, string height, fret end dressing, or truss rod adjustment. Let me first say that the delivered CLG-650-CE VS is an absolutely beautiful guitar, with wonderful tone. It is well crafted with above average HB hardware. It does, however, have one glaring flaw- as delivered it had the absolutely worst fret treatment that I had ever seen. When trying to perform even a minor string bend, the strings actually catch on the frets, and the sound emanating when trying to bend a note sounds like fingernails running across a chalkboard.
I will have to turn this over to an experienced luthier because I think that trying to polish frets that are in such poor condition is beyond my capabilities. I had considered returning the guitar, but frankly, I’d rather not go through the hassle, and I believe that once the fret issues are resolved by a luthier, I’ll be completely satisfied.

Summary:
PRO- Beautiful guitar, great woods, fine craftsmanship, better than average hardware, and good initial setup.

CON- Terrible fret work- should have never passed QC.

Note.... I also need to mention that you must remove the guitar strings to replace the battery for the preamp. Ughhhhh!
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Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
T
Wow, how do they do it?
Toodle 16.10.2026
This is my third Harley Benton acoustic. I was already impressed by how much guitar you get for the price of a basic, all-laminate Yamaha, which left me curious to see how their higher-end models fare. It arrived today and hasn't disappointed.
The finish is excellent—thin enough to let the wood grain show through—with zero blemishes or assembly gaps. The setup details are spot-on: the action is right where it needs to be, and the frets are level with smoothly dressed ends. The bridge and fretboard use HPL, which surprisingly doesn't detract from the looks at all. Both the nut and saddle are cleanly cut, and the intonation is close (an easy tweak). The tuners feel smooth with no play, though fresh strings mean time will tell. Looking inside, the craftsmanship holds up with no excess glue and neatly fitted X-bracing with proper joint work.
Tone-wise, it has a lovely, balanced warmth—mellow without turning muddy, and clear without being harsh, backed by a strong midrange. The HPL fingerboard and bridge don't seem to negatively affect the acoustic resonance at all, and it’s very touch-responsive with great harmonics and sustain. This is a keeper that genuinely punches above its weight. Having played Martins, Taylors, and Yamahas in the £700–£1,000 bracket, this matches or beats them.
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