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Semi-modulaire analoge synthesizer

  • Monofoon
  • 3 VCO's met instelbare pulsbreedte
  • Oscillator 1 met uitgangen voor sawtooth en pulse
  • Oscillatoren 2 en 3 met schakelbare oscillatorsynchronisatie en uitgangen voor triangle, sawtooth, sinus en pulse
  • Low-pass filter met resonantie en 2 schakelbare filterkarakteristieken
  • Noise generator
  • Ring modulator
  • Sample & Hold
  • Preamp en envelope follower voor externe signalen
  • Voltage processor
  • ADSR-envelope
  • AR-envelope
  • Stereo VCA met regelbaar panorama
  • Mixbaar Reverb effect
  • Uitgebreide modulatiemogelijkheden voor oscillatoren en filters door voorgedefinieerd signaalpad en vrije verbinding van alle secties via patchaansluitingen (3,5 mm jack)
  • Stereo Line uitgang: 2x 6,3 mm jack
  • Stereo koptelefoonuitgang: 3,5 mm jack
  • Voetschakelaar ingangen voor Interval Latch en Portamento: 6,3 mm jack
  • MIDI In/Thru
  • USB-B poort (MIDI)
  • Formaat: 19" / 8 U
  • Afmetingen (BxHxD): 482 x 356 x 108 mm
  • Gewicht: 5.1 kg
  • Incl. externe netvoeding (12V DC, 2000mA)
Leverbaar sinds November 2020
artikelnummer 505590
verkoopseenheid 1 stuk
Design 19"
Polyphony 1
Sound Generation Analogue
MIDI interface 1x In, 1x Thru
Storage Medium None
USB-port Yes
Effects Yes
Arpeggiator No
Number of Analog Outputs 2
Digital Output No
Display No
Optional Expansions None
Special Features Semi-modular
Toon meer
€ 399
Alle prijzen incl. btw
In 9-12 weken beschikbaar
In 9-12 weken beschikbaar

Dit product verwachten we binnenkort op voorraad en kan dan direct worden verzonden.

Informatie over de verzending
1

Modern version of a semi-modular classic

The original on which Behringer’s 2600 is based was an extremely popular synthesizer when it hit the market in the 1970s and is today considered a true classic. With its semi-modular structure, duophonic mode, separate keyboard, and of course its wealth of sonic possibilities, this legendary synth was ground-breaking for its time and inspired the likes of Herbie Hancock, Vince Clark, and Joe Zawinul to explore completely new possibilities of musical expression, many of which ended up in classic recordings. The Behringer 2600, a new, modernised, and compact version of the original classic, was developed in collaboration with British analogue guru AMSynths and retains all the sonic capabilities of its illustrious predecessor. Each original circuit has been painstakingly recreated to contemporary standards, and its format has been reduced from the original to fit into a 19" rack. The Behringer 2600 retains all the features of the original and has added functionalities of its own, such as MIDI, dimmable LED faders, and a digital reverb. And like the original, the Behringer 2600 can be directly connected to other modular synthesizers and analogue sequencers, and thus become an integral part of a much larger and more powerful system.

Duophonic analogue synthesizer

The 2600 is a powerful analogue synthesizer with three oscillators and two switchable LFOs which can be assigned to a VCO or even used independently. The Behringer 2600 includes differential VCA inputs, an ADSR envelope section with scaling options, and other functions such as noise generators, S&H (Sample and Hold), and an assignable low-pass filter as well as an inverter option on the voltage processor. The LFO and portamento sections, which in the case of the original were located on a separate keyboard, are also integrated into the main chassis, and the original’s spring reverb unit has been replaced here by a commensurate digital emulation. The main signal path and the assignments of each modulation are conveniently controlled via faders, which can also be visualised via LED colour indicators. For greater flexibility, the signal flow can be modified via patch connections and expanded with external devices. Another feature of the 2600 is its Duo Voice Mode, which uses a second oscillator to play two notes simultaneously whereas the original 2600 was exclusively monophonic.

An affordable and successful replica

For most people, owning the illustrious original seemed like an unobtainable dream – until now, that is. The original units are very rarely available anymore, and when they are, they are prohibitively expensive. DIY projects do exist and crop up from time to time, but they require a lot of time and expertise to build – and also come with a high-end price tag. The Behringer 2600 offers an affordable version of the classic synth for the first time, and it can be picked up by small studios or taken on tour without hesitation. This versatile synthesizer will appeal mainly to musicians who are familiar with the semi-modular concept, with a view to integrating it into a larger, more complex environment. The original can be heard in many famous production recordings that span Prog Rock, Fusion, and Electronic. This modern version will also naturally suit all of those styles, and it is also a noteworthy figure in the field of sound design and SFX – the “voice” of Star Wars’ robot hero, R2-D2, being a prime example.

About Behringer

The company, which was founded in Germany by Uli Behringer and now manufactures its products in China, has been known for affordable and great-value equipment since its very first product, the Studio Exciter F. An array of mixing consoles (such as the Eurodesk MX8000), signal processors, and later sound amplification and monitoring equipment, has made it possible for countless musicians to fit out their home studios, practice rooms, and mobile PAs within budget limits that were previously unthinkable. The acquisition of other companies, including Midas, Klark Teknik, and TC Electronic, meant that new product groups were added - and also resulted in the technical expertise of these companies being incorporated into product development.

Compact rack synth

As a semi-modular synthesizer, the 2600 can play to its strengths in a modular setup by expanding on them. In the studio, it will link up perfectly with a multitrack analogue sequencer to rhythmically control not only the oscillators but also an array of other functions. The Behringer 2600 can also interact with other modular systems, thereby expanding its capabilities via additional sound and control modules. The original, though “portable”, was housed in a rather bulky and heavy “suitcase” for transport. The Behringer 2600, on the other hand, can be built into a conventional 19" transport case and easily taken to live gigs. The Behringer 2600 is also an extremely capable and expressive standalone instrument, even outside a modular context. Its flexible and clear structure allows sound and modulation patterns to be quickly and intuitively created, either directly on the main chassis or via external performance-oriented devices.

120 Klantenbeoordelingen

4.8 / 5

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83 Recensies

ML
Jeugddroom vervuld voor een (halve?) rug*
MIDI Life Crisis 09.09.2024
Sommigen moeten sparen voor een Ferrari of een Harley-Davidson om hun jeugddroom te vervullen.
Behringer bracht mij nieuw-in-doos deze ARP2600 opgebouwd uit Surface-Mount onderdelen, die een stuk langer leven beschoren zijn dan ARPs oorspronkelijke Through-Hole technologie.
Voor minder dan een (halve) rug* want Thomann deed er een mooie korting op.
Lachwekkend leuk! (Minder leuk misschien voor verzamelaars die de prijs van hun overtroetelde originele machines zagen kelderen. Maar als mijn enige andere optie dan KORGs retro introductie was gebleven om zo'n origineel over te kopen, was dit voor mij een jeugddroom gebleven.)
Tuurlijk is het geluid iets anders, maar met bv. het originele ARP2600 Patchbook ernaast (verkrijgbaar in synth hobby groepen) kom je zonder moeite op de originele patches uit.
En deze MIDI bak heeft niet het originele analoge keyboard nodig om bespeeld te worden, wat ook een groot voordeel is.
Klein nadeel daaraan is dat alle functies die op dat keyboard waren onder gebracht nu naar de synth zelf zijn verhuisd.
Dus voor ARP2600 veteranen zal het niet ogen dicht en spelen zijn. (Maar ik denk dat ARP2600 veteranen al lang hun keuze hebben gemaakt om wel of niet met dit ding, danwel KORGs aanbod hun ARP2600 carriere nieuw leven in te blazen.)
En over blazen gesproken: breng alvast wat bloemen of bonbons bij de buren want dit ding gaat <LAAG>!
Pro tip: Koptelefoon direct inpluggen is geheel op eigen risico...

*1000 oude Guldens vertalen mooi naar de prijs die ik betaalde in Euro's.
Maar met een "(rooie) rug" wordt vandaag de dag ook 1000 Euro bedoeld...
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M
Na een update doet de synth niets meer
Merf79 29.01.2025
Behringer rommel
Na een update start deze niet meer op
Behringer heeft hiervoor geen oplossing



Ook de wasp heeft het zelfde issue
Nooit meer een behringer synth
Voor mij
Zonde van je geld
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
DK
Excellent Synth
David Kellett 08.11.2021
This is a great synth. I have a modular system plus several semi modulars but the 2600 is a thing all to itsself. You can approach it as a semi modular but it’s really like a modular system in itself. Yes it can make noise straight out the box as it has normaled connections but once you get the patch cables out it really gets interesting. It’s clear to see why the original ARP was so revered the design is just so flexible and it has a “sound” all of its own.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
P
Great price-sound ratio.. but missing some key elements?
Precursor 11.04.2022
Great machine, the sound is pretty unique. I never played with a real 2600 but it's a close match. However it's close in the sense a plugin would emulate it. It's not as nasty, gritty or ugly as the sounds that I am familliar with from the real deal.

Okay I know that was probably what you wanted to know.. but there is more about this machine that makes it worthwhile. Especially because it's quite "clean" and "friendly" sounding it is really easy to make sounds that fit right into your mix. There's barely any processing needed for the sounds to work in a mix, or as a layer for something digital or even another synth. I'm using it a lot paired with my modular which is a nice match.

The oscillators sound good, but not expensive like a Dixie module or some other specified modular voice. (I know they are very different, but bear with me. It's about the quality of the sound) They do sound better than digital oscillators.

The filter is pretty neat, I like how they sound, good character, nice sweep and easy to tune to something fun.

The noise sounds great, I use it a lot, it has different options all sound good.

The spring reverb is very warm and full. It's a good sound but it will fill up your mix quite quickly so you can't really use it on everything. It also doesn't sound like a spring so much as just a reverb with a specific sound.

So far so good, most of this synthesizer just sounds good. Except... the envelopes. I know they have supposedly fixed this in the "Gray Meanie" version of the Behringer 2600, but on this unit it it's simply awful. It's almost unusable, I don't know... I am almost always using another envelope for the amplitude. It kinda works with the filter, but the reality is it just can't go very short or snappy which is really annoying. I would be using it way more often if this was fixed. I wonder if there will be some firmware upgrade at some point that addresses this.
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