Allen & Heath SQ7
48-Kanaals Digitale Mixer
- Met 96 kHz FPGA-verwerking
- 33 Faders / 6 Layers
- 12 Mono of Stereo Mixes (ideaal voor in-ear monitoring setups) + LR
- 3 Stereo-matrices
- 8 Interne Stereo FX met Stereo Return
- DEEP Processing maakt het mogelijk DEEP-plugins rechtstreeks in kanalen en mixbussen te integreren
- 7" touchscreen
- Slink-aansluiting voor remote audio/expansion
- 64-Kanaals I/O-aansluiting voor audio networking
- 32 X 32 USB audio interface
- SQ-drive voor direct kopiëren naar USB
- AES uitgang
- Niveaumeter per kanaal
- Geïntegreerde LED-verlichting per fader
- 16 Toewijsbare SoftKeys
- 8 Toewijsbare SoftRotaries
- Kanaal-LCD-schermen
- Geïntegreerde 48 kanaals automatische mixer
- Compatibel met ME-1 en ME-500, Audio Networking Card, Dante of Waves
- Afmetingen: 804 x 514,9 x 198 mm
- Gewicht: 17,8 kg
- Geschikte case: art. 499718 (niet bij de levering inbegrepen)
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Leverbaar sinds Augustus 2018
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artikelnummer 441627
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verkoopseenheid 1 stuk
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User Interface Physical/remote
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Number of faders 33
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DSP Input channels 48
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Mic Preamp 32
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Physical outputs 16
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Digital stagebox connection S-Link
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Hotspot No
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Multitrack Record Yes
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integratated Player/Rec via USB/SD Multitrack
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19" Rackmount No
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DSP Output Channels 12
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Busses 12
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Mono-Line Input 0
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Stereo-Line Input 2
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Ethernet Ethernet
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Soundcard interface USB-B
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Recorder Format WAV/MP3
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Scribble Strips Yes
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RTA Yes
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FX Processor 8
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31 Band EQ 13
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Delay Input Yes
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Delay Output Yes
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Matrix 3
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DCA/VCA Groups 8
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Midi Connector No
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Sample rate 96 kHz
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Monitor Apps Yes
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Separate Personal Monitor system Optional
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Expansion Card slots 1
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Digital ADAT No
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Digital SPDIF No
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Digital AES3/ASESEB Yes
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Digital MADI No
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Digital Dante Optional
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110V capable Yes
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Case Optional
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Height 199 mm
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Width 804 mm
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Depth 515 mm
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Weight 17,8 kg
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Flagship powerhouse digital console
The flagship of Allen & Heath's SQ series, the SQ-7 is a 48-channel digital console featuring 33 preamps, 33 motorised faders across six layers, 8 soft keys, and 8 stereo FX engines, powered by the acclaimed 96kHz XCVI FPGA system. This cutting-edge architecture delivers ultra-low latency and uncompromising audio quality, allowing lightning-fast signal processing and high-resolution workflows. The Allen & Heath SQ-7 also supports direct stereo and multitrack recording to a USB storage device via SQ-Drive, and functions as a 32×32 USB audio interface for DAW integration. Designed for live sound, studio, broadcast and AV use, it combines a high channel count, flexible routing, and powerful onboard processing, all in a robust, tour-ready design.
Advanced workflow options and DEEP processing
The Allen & Heath SQ-7 supports up to 48 input channels, 12 stereo sub-mixes, and 3 stereo matrix outputs, with per-channel processing that includes a high-pass filter, gate with sidechain and filter, 4-band parametric EQ, and Peak/RMS compression. Each sub-mix includes a parametric EQ and 28-band graphic EQ, while Allen & Heath’s DEEP architecture enables zero-latency plug-in integration directly at the input and mix stages. The eight stereo FX engines run reverbs, delays, and modulators from the acclaimed RackExtra library, each with its own dedicated stereo return. Control is intuitive via a 7" capacitive touchscreen, 16 assignable SoftKeys and 8 Soft Rotaries, and colour-coded Chromatic metering. Remote operation is possible via the SQ MixPad app for iOS and Android, enabling wireless control of levels, processing, and scenes.
Built for live events, broadcasting, and recording
Housed in a rugged, three-tier all-metal chassis, the Allen & Heath SQ-7 thrives in demanding environments, including concerts, corporate events, broadcast control rooms, and production studios. It supports stereo or multitrack USB recording (up to 32 channels at 48kHz, or 16 at 96kHz), and driver-free operation on macOS. Two fully independent 24-channel Automatic Mic Mixers (AMMs) make it well-suited for conferences, panel discussions, and other speech-focused events. A dedicated MIDI Control app lets its faders and soft keys act as a DAW control surface in recording setups, combining full track control with professional audio interface capabilities.
About Allen & Heath
Allen & Heath started building mixing consoles in London in 1969 and made a name for themselves hand-building mixers for some of the greatest bands of the era, such as Pink Floyd. Since 2014, Allen & Heath has been part of the Audiotonix Group, which in turn is managed by the company Electra Partners. Allen & Heath's headquarters are in Penryn, Cornwall (UK), where production takes place, alongside a second factory in China. The British firm is known for numerous innovations, including the development of modular console designs as well as their subsequent integration into MIDI environments. Today, Allen & Heath offer a wide range of products in almost every field of audio engineering - from the small six-channel ZED-6 mixing console to the full-scale dLive Pro Touring System.
Expandable and monitor-ready
The Allen & Heath SQ-7 includes a 64×64 audio networking slot for expansion via Dante, Waves, MADI or SLink cards, alongside USB, AES, and network connectivity. Its SLink port supports remote stageboxes as well as Allen & Heath’s ME Personal Mixing System, allowing performers to customise their in-ear monitor mixes. With 12 stereo mix outs, ultra-low latency, and flexible mix processing, it serves equally well at monitor position or front-of-house. Optional control apps such as SQ MixPad, SQ4You, and SQ Control further extend remote operation for both engineers and performers, while the clear interface and logical workflow make it quick to train operators in corporate or broadcast environments.
In the spotlight: FPGA technology
At the heart of the Allen & Heath SQ-7 lies a Field Programmable Gate Array (FPGA) – a high-performance DSP chip that enables parallel signal processing with exceptionally low latency. This architecture underpins the console's high channel count, rapid responsiveness, and built-in processing power. Together with DEEP plug-ins and 96kHz operation, the FPGA engine equips the SQ-7 to meet the performance and reliability standards demanded by today’s live, broadcast, and production professionals.
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