The Tone City TPS‑12 is the flagship of the manufacturer's compact multi‑power supply range, and it offers more than enough power for complex pedalboards with its twelve isolated outputs. Thanks to its high load capacity, stable voltage supply, and comprehensive feature set, the TPS‑12 is suited to all but the most demanding setups, even those with multiple power‑hungry effects. Alongside eight fixed 9V outputs (four rated at 200mA, four at a massive 500mA), it also has four outputs with switchable voltage ranges, including less common options such as 6V or 15V. The modern high‑performance circuitry – with dual filtering and intelligent voltage compensation – ensures a clean, noise‑free signal. Its compact, lightweight housing and robust build make the TPS‑12 a reliable companion everywhere it goes, from the rehearsal room to the tourbus.
The Tone City TPS‑12 is a powerful, isolated multi‑power supply designed to run large pedalboards. With a total of 12DC outputs, it'll deliver enough power for every kind of effects unit, from standard pedals to current‑hungry digital delays or multi‑FX processors. Eight outputs provide fixed 9V, split into four at 200mA and four at 500mA: The remaining four 9V/200mA outputs can be switched between 6V, 12V, 15V, or 18V, respectively, allowing the TPS‑12 to adapt flexibly to the needs of more specialised pedals. Every output features its own status LED, so guitarists can see at a glance what's working and what's not. Its excellent safety rating – including dual short‑circuit protection – make the TPS‑12 a dependable partner on stage and in the studio. It runs on the 12V/3A power adapter it ships with, and the package also includes a full 12 DC cables, one for each output.
The Tone City TPS‑12 is aimed at musicians who run a large number of pedals at once and who prioritise maximum reliability and flexibility. It's particularly well suited to guitarists with complex signal chains that include not only analogue classics but also digital units with higher current demands. Fans of boutique pedals with unusual voltage requirements will also find the TPS‑12 an eminently suitable choice thanks to its array of switchable outputs. Despite its impressive performance, its compact build and low weight make it just as suitable for mobile setups as it is for pedalboards that stay where they are. Ultimately all working musicians - be they seasoned pros or passionate amateurs - need a quiet, interference‑free signal, and they will all be well served by this power supply.
Tone City is a guitar effects manufacturer that is based in China and specialises in manufacturing pedals that are compact and affordable but do not make any compromises in terms of sound or build quality. The company quickly gained a good reputation, particularly among guitarists looking for the sound of boutique gear in a space-saving format. Tone City creates modern interpretations of classic circuits, which are served up in intuitive, user-friendly pedals with a sturdy metal construction. The company’s pedals are renowned for their organic tonal characteristics and impressive dynamics, and they are ideal for pedalboard-based setups thanks to their sophisticated circuit board layouts and true-bypass switching. With an ever-expanding product range that includes everything from overdrives and modulation effects through to delays, Tone City offers musicians a viable alternative to expensive boutique pedals.
The Tone City TPS‑12 has enough power to flex its muscles in a wide range of applications, from the home studio to the main stage. In complex pedalboard setups, it'll reliably power both current‑hungry digital delays and classic overdrive or modulation effects. It's particularly useful on boards that feature a number of pedals running at different voltages, be that 12V, 15V or 18V. Creative musicians who use MIDI switchers, loopers, or preamps in their setup will love the powerful 500mA outputs. In rehearsal rooms or live situations, the Tone City TPS‑12 will impress all comers with its robust build and quiet operation – no audible noise at all, which also makes it a smart solution in recording environments, with hum or ground‑loop issues simply not an issue.