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Dynamische Dualdyne zang- en spraak microfoon

  • Met dubbel membraan technologie
  • Minimaal proximity effect en axiale kleurverandering
  • Natuurlijke opname van het signaal voor een heldere weergave
  • Karakteristiek: cardioïde
  • Frequentiebereik: 40-16000 Hz
  • Impedantie: 300 Ohm
  • Gevoeligheid: -51,5 dBV / Pa / 1,85 mV / Pa
  • Geborsteld aluminium behuizing
  • Microfoon grille van gehard staal
  • Kleur: nikkel
  • Incl. AK8C tas met ritssluiting en A25E microfoon houder
  • Leverbaar sinds Januari 2016
  • artikelnummer 379658
  • verkoopseenheid 1 stuk
  • On/Off Switch No
  • Polar Pattern Cardioid
  • Colour nickel
  • Diameter 48 mm
  • Length 188 mm
  • Weight 330 g
  • Frequency range from 40 Hz
  • Frequency range to 16 kHz
  • Clamp Yes
  • Bag Yes
  • Optional windscreen available 165665
€ 415
Alle prijzen incl. btw
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A mic made for movement

The Shure KSM8 is a premium cardioid dynamic vocal microphone with many features that make it ideal for live performance. The headliner here is Shure's patented Dualdyne capsule, developed especially for the KSM8: Unlike conventional cardioid vocal microphones, its dual-diaphragm moving-coil design greatly reduces the proximity effect, allowing the microphone to maintain a consistent tonal balance as the singer moves closer to or further from the grille. The frequency response extends from 40Hz to 16kHz, remaining largely flat between 100Hz and 10kHz – without the pronounced presence peak associated with many stage vocal microphones. A pneumatic shock mount and Diaphragm Stabilisation System (DSS) minimise handling noise and mechanical vibration. Alongside the Dualdyne capsule itself, this ensures that the mic's response is reliable whatever the conditions on stage are like. The KSM8 is available in brushed nickel (KSM8/N) and black (KSM8/B) finishes.

Shure KSM8, dynamic vocal microphone

The Dualdyne capsule

The Dualdyne capsule combines an active front diaphragm with a passive rear diaphragm inside a single moving-coil assembly. The passive rear diaphragm regulates the airflow reaching the active diaphragm, greatly reducing the low-frequency pressure changes responsible for proximity effect. The result is a vocal sound that remains consistent over a much wider working distance than a conventional dynamic microphone. The design also maintains a stable cardioid polar pattern with predictable off-axis rejection, helping reduce stage spill and feedback. The Diaphragm Stabilisation System and pneumatic shock mount complement the low handling noise, while the hardened carbon-steel grille and integrated wind protection effectively control plosives, moisture, and accidental bumps.

Shure KSM8N, dynamic vocal microphone

Natural, consistent sound

The Shure KSM8 is aimed at vocalists and engineers who want the durability, feedback resistance, and phantom-power-free operation of a dynamic microphone, but who know to appreciate consistent tonal balance even if the performance ends up being more spirited than planned. The microphone's largely flat frequency response gives engineers a neutral starting point, allowing the vocal to be deliberately shaped with EQ if necessary, rather than having to work with (or against) the mic's own characteristics. Some singers and producers may still prefer the more forward character of the Beta 58A, particularly for dense Rock mixes. Those seeking the extended high-frequency response and switchable polar patterns of a condenser microphone will find the KSM9 and KSM11 the natural next steps in Shure's live vocal range.

Frequency response of the Shure KSM8N, dynamic vocal microphone
Shure KSM8N, dynamic vocal microphone

About Shure

The American company Shure began developing microphones during the early 1930s and is one of the pioneers of the audio engineering sector. Models such as the 55 Unidyne – known to many as the "Elvis microphone" – and the SM57 and SM58 which appeared in the mid-1960s are still ubiquitous in live sound production today. They enjoy cult status among musicians and technicians alike. In the 1990s, Shure introduced the first wireless microphones and in-ear monitoring systems and became a market leader in this field. In addition to microphones, Shure offers a wide range of earphones and headphones for studio and live use, as well as various accessories.

From soundcheck to showtime

The Shure KSM8 is made for performers who like to move – be it as part of their singing technique, because they also play an instrument, or simply out of pure instinct. Moving between close and distant positions (even across different settings) will produce far smaller level and tonal variations than with a conventional dynamic mic, which then require less fader-riding, corrective EQ, and compression at the FOH desk. But it's not just the technology inside the KSM8 that makes it ideal for live vocals: The tapered body profile naturally discourages singers from cupping the grille, which can have a negative effect on the polar pattern and thus increase the risk of feedback. Similarly, the pneumatically mounted capsule keeps rumble to a minimum, even when the microphone is handled energetically – a meaningful advantage for vocalists who move freely on stage or work the mic hard during their sets. At 330g, the KSM8 has the reassuring weight and build quality expected of a touring microphone designed for years of use.

37 Klantenbeoordelingen

4.8 / 5

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W
Niet naar verwachting
Willyboy 24.07.2022
De microfoon valt tegen ten opzichte van de beta 58. Ik hoopte op een sprankelende weergave en minimale feedback. Helaas is dit geenszins her geval. Conclusie is dat de microfoon ongebruikt in een la ligt.
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Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
P
You get that you pay for and expect from Shure
Paulius.PS 14.04.2021
With some doubt and suspense I decided to pull the trigger on luxurious Shure KSM8 N, but I guess it is justified now, after + two years of use. Microphones can be "individual taste" thing, that's for one person, could sound a bit bitter for another. I am not good singer, more leaning towards rock, this mic is kind a indulge thing for my voice, but it is rewarding and boosting then you jump from basic dynamic mics to something more special. Vocals sound more smooth rounded, with added brilliance, but if you have quirky voice it adds on that up too obviously. It can be forgiving thanks to the proximity effect. There is wide range of a "sweet spot" you can play around with, hence it's easier to handle and predict how you want to handle your vocals. You may loose some gritt compared to lower tier mics, but you add brilliance on top of that. Not sure if this mic is diverse for all vocals (for the rock or grittier singer I would suggest simpler option), but after awhile you almost adjust to the mic peculiarites. Didn't try record guitar with this one but I guess SM57 would be better option for that.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
Jm
Not good for busy stages
John mercy 18.01.2024
It's a beautiful rugged mic and top shelf quality. the sound is amazing. while I was testing it in the studio and rehearsing by myself in the studio with my headphones on, the sound was really good, almost a bit compressed like I had to do nothing but plug and go, no eq whatsoever. I'm pretty sure I could use this mic to record studio quality vocals. however things took a hard left when I took it to the rehearsal room - feedback at every turn and had to really lower the volume. And when I took it to the stage same thing happened. Too much feedback, too much bleed from other instruments either with the whole band playing or just me. Had to go back to the beta 58 to manage the gig and get the sound guy off my back (both in small and big venues). Had to sell it as it became of no use to me because of this. Just bought the OM7 that I'm pretty sure its sound won't be as perfect and detailed as this one but that I hope will be a step up from the beta58
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
R
Прекрасный инструме&
ReSteGo 15.07.2021
Спустя 3 года использования китайского микрофона для вокального исполнения на разного рода мероприятиях, было решено заменить микрофон.
Динамический или Конденсаторный?
Динамический, т.к. пользователь очень неуклюжий.

От микрофона в первую очередь требовалась нейтральность при передаче сигнала. После просмотров множества обзоров на самые разные микрофоны, остановили выбор на данной модели. Не прогадали.

Особенности:
- Микрофон нейтрализует Сибилянты и Взрывные буквы. Для кого-то это хорошо, для кого-то плохо.

Плюсы:
- Нейтральное звучание.
- Практически нулевой эффект близости. (Т.е. при приближении микрофона ваш голос не становится бубнящим).
- Универсальность. (Микрофон подошел как мужским, так и женским исполнителям с самыми разными певческими голосами и вокальными техниками)
- Высокий уровень детализации звука.
- Микрофон работает одинаково хорошо при удалении и приближении источника звука (в нашем случае вокалиста).
- Звук от перебирания микрофона из руки в руку не слышен.
- Прекрасное качество сборки.

Минусы: Явных минусов спустя полтора месяца использования выявлено не было.
- Поверхность микрофона легко царапается.

Рекомендации:
Если вы профессиональный вокалист и желаете, чтобы ваш голос передавался с минимальными искажениями, то этот микрофон однозначно для Вас.
Если же вы пока на более ранних стадиях развития ваших вокальных навыков, то стоит посмотреть на модели подешевле. Например, Shure 58 серии, отличные продукты в соотношении цена-качество (ИМХО).
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