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Guitar Synth + Modeling + Guitar to Midi Interface

  • je kunt steeds twee synthesizer-sounds selecteren en combineren
  • complete modeling-geluidsketen (gitaar/bas/synth/effecten/amps) uit de VG-99 incl. virtuele stemming - het signaal van de normale pickups kan in de modelingketen worden ingevoerd
  • je kunt twee synth-sounds en het modeling-sound combineren - synth-sounds kun je in de modelingketen insturen (bijv. Bluesharp in overstuurde amp)
  • 270 preset-sounds gesorteerd op "Lead", "Rhythm" en "Others"
  • 297 geheugenplaatsen voor eigen sounds
  • klepje voor het plaatsen van een USB-stick
  • afspelen van audiodata (Playbacks) via voetpedaalbediening
  • Control-voetschakelaar en Expression-pedaal (vrij toewijsbaar met uiteenlopende functies)
  • Looper van 20 seconden met een onbeperkt aantal Overdubs
  • de GR-55 is een USB-interface voor audio en midi, plus conventionele MIDI-In/Out-bussen
  • afmetingen B x H x D: 405 x 78-106 x 244 mm
  • Gewicht: 3,3 kg
  • incl. netvoeding
  • Bijpassende cover: art. 266346 (niet bij de levering inbegrepen)

910 verschillende, bewerkbare Roland synthesizersounds van de nieuwste generatie:

  • Piano
  • strijkers
  • blaasinstrumenten
  • pads
  • Vintage-Synths etc.

Let op: voor het gebruik is een compatibel Roland GK-pickup vereist: GK-3 (gitaar: art.167114), GK-3b (bas: art.175409) of GK-Ready gitaar/bas, alsmede een geschikte Roland GKC-kabel: GKC-5 (lengte 5 m: art.150593) of GKC-10 (lengte 10 m: art.150591). beide zijn niet bij de levering inbegrepen

  • Leverbaar sinds Juni 2012
  • artikelnummer 279996
  • verkoopseenheid 1 stuk
€ 679
Alle prijzen incl. btw
Direct leverbaar
1

58 Klantenbeoordelingen

4.5 / 5

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35 Recensies

D
Mooie synth maar met een maar
Dutch_Henk 27.06.2021
Goede bruikbare geluiden en spelen met andere stemming is met een druk op de knop echt super. Heel geluiden triggeren zonder merkbare vertraging echter zijn er, met name, pianogeluiden met vervelende ghost-notes. Daar zou Roland echt iets aan moeten doen. Schijnt dat je er een sub-sonic filter in kan bouwen maar dat vind ik een beetje alsof je een gitaar koopt zonder elementen
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
D
Technological Perfection
Denmus 07.07.2020
My first effects pedal was a Boss PS-2 Digital Pitch Shifter Delay pedal which I bought in 1987. I also owned a Boss SE50 & SE70 effects units during the 1990's. I loved the range of effects that these units produced but now that I own a Roland-GR55 my playing and sound has been transported to a whole new level way beyond anything I could have possibly imagined!
I am blown away by the seemingly endless variety of effects, models, instruments and combinations that are now at my finger (and toe) tips. It's like a whole new dimension of sound has been revealed to me, I'm in Tech Heaven!
I also purchased a Godin XTSA guitar which is the perfect match for this amazing piece of technology. The sound is immaculate, the response is instant & my adventure into a new world of sound scaping and experimentation has just begun. For me this is the perfect unit for my style of playing and my appetite for experimentation. The unit is extremely well built, strong, a good size for accessibility, easy to navigate and understand, an excellent overall design and has everything I've ever wanted all in one unit. I can't recommend it highly enough!
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
A
Sounds!
Adri 25.04.2016
I have in conjunction with a Godin guitar with Synth access.

There are so many features in this device reading the manual is a must and you have to calibrate the pick up to make it work properly.

The sound shipped are very good and you can make adjustments in order to build your preferred sound, this is based on guitar modelling, synthesized instruments and on the sounds and effects shipped with the unit, it would be amazing if you could create your synth sounds from scratch or load them from your computer, don't get me wrong, you can modify thousands of sounds but I feel they will always have a kind of roland "signature"

In the other hand it can be used as a MIDI interface and there are so many features like phrase looping, playback audio from a USB pen drive, alternative tunings, guitar models to choose from... etc, it is a worthy purchase.

You may need to adjust your technique and execution to get the most of some sounds and this can be a bit weird at first, at some point you may need to change your mind from guitar player to a sythesizer player using a guitar as interface.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
Bo
Great stuff
Boris of Florence Jenkins Project 23.03.2020
The truth is I only use about 10 of the patches provided by the pedal - mostly guitar related ones. Very often use them in parallel with my JVM so that the traditional electric guitar sounds are combined with what comes from GR 55. I find it very useful as a simple way to more sound diversity in the arrangements. But the main thing is - naturally - the classic GR300 sound (and similar flavours). In jazz this fantastic sound (somewhere between trumpet / violin and distorted guitar) is practically "owned" by Pat Metheny and using it is a bit like playing "Stairway to Heaven" in a guitar shop or industry showcase. Serious offence. But it seems like dropping it here and there in alt rock arrangements can actually be appreciated by listeners in this postmodern world. And even if you do not have the guts (or are too decent ;-) to try it, this sound will absolutely suck you into long improvisations when you are rehearsing alone or jamming with your band ... Irresistible force :-)
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