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Analoge synthesizer

  • Aanslaggevoelige 37-toetsen keyboard met aftertouch
  • Mono en Duo Paraphonic mode
  • Arpeggiator
  • Step sequencer
  • 256 Presets
  • 40 Controls
  • 74 Knoppen
  • LCD display
  • Classic Moog filter
  • Feedback
  • MultiDrive
  • 2 Modulation bussen
  • DAHDSR enveloppen
  • Afmetingen (B x D x H): 679 x 375 x 171 mm
  • Gewicht: ca. 9,98 kg
  • Bijpassende koffer: Art. 496309 (niet inbegrepen bij de levering)

Aansluitingen:

  • Line ingang 6,3 mm jack mono
  • Line uitgang 6,3 mm jack mono
  • Hoofdtelefoonuitgang
  • MIDI I/O
  • USB
  • Leverbaar sinds Augustus 2017
  • artikelnummer 419761
  • verkoopseenheid 1 stuk
  • Number Of Keys 37
  • Touch-Sensitive Yes
  • Aftertouch Yes
  • Split Zones No
  • Modulation Wheel Yes
  • Number of simultaneous Voices 2
  • Sound Engine Analogue
  • MIDI interface 1x In, 1x Out
  • Storage Medium None
  • USB-port Yes
  • Effects None
  • Arpeggiator Yes
  • Number of Analog Outputs 1
  • Digital Output No
  • Display Yes
  • Pedal Connections None
  • Dimensions 679 x 375 x 171 mm
  • Weight 10,0 kg
B-Stock vanaf € 1.499 beschikbaar
€ 1.749
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Not just a blast from the past

The Moog Subsequent 37 is the new high-tech synthesizer from the one of the most influential manufacturers in the history of modern music. However, instead of mere nostalgia, the Subsequent has been designed with the music of the future in mind. The synth is an evolution of the award-winning Sub 37, already an impressive device, with its modern interface and pioneering sound. The Subsequent continues this tradition: The monophonic – or optionally duophonic – analogue synthesizer features a comprehensive arsenal of settings and features, without ever being difficult to use. And of course, the sound itself leaves absolutely nothing to be desired.

Moog Subsequent 37 analogue synthesizer

A modern classic

The Moog Subsequent 37 generates its unique sound using two fully-featured oscillators, a sub-oscillator, and a noise source, followed in the signal path by a new-and-improved mixer that offers more headroom than any previous Moog. Next is the legendary Moog ladder filter – a modern classic, albeit one that Moog has given a new twist: The filter slope can be switched between 6, 12, 18, and 24dB/octave, and as with the other models in the Sub series, the Multidrive function allow users to add post-filter overdrive with unparalleled control, dialling in elegant, rich warmth or aggressive distortion without requiring significant adjustment to the output volume. Finally, the envelope generators are implemented as dual DAHDSR types, and the unit includes two fully-featured LFOs capable of modulating at frequencies high enough to produce audible effects. All in all, plenty of modulation options to get creative with!

Zero compromise

There's no question – the Moog Subsequent 37 is a professional-grade instrument. And so it's no surprise that it is found on stages all around the world. Considering what it brings to the table, then, the price feels like a bit of a steal. This synth is ready for anything – sessions in the studio, live sets on tour, or just jamming at home. Zero compromise on sound and playability is the name of the game here: Earth-shaking basses, screaming leads, and creative sound design excursions are all well within the Moog's repertoire. What is more, every parameter is seamlessly integrated into the device's software, making it easy to tweak and automate the Moog Subsequent 37 directly from a DAW.

Manufacturer logo on the Moog Subsequent 37 analogue synth

About Moog

The US manufacturer of synthesizers, based in Asheville, North Carolina, is one of the pioneers in this field and has legendary status. Robert Moog had been involved with electronic sound generation since the 1950s and his first experience was with the manufacture of theremins. The breakthrough came in 1968 with the Grammy-winning album "Switched-On Bach" by musician Wendy Carlos (then know as Walter Carlos), recorded in multitrack with a mono synthesizer. The Minimoog, released in 1971, became the most popular synthesizer of the 1970s and is still considered the benchmark for the quality of synthesised sounds. It and the following devices, like the Memorymoog, Polymoog, and Prodigy, shaped the sound of countless albums, from Stevie Wonder to The Police and from Saga to Kraftwerk.

Inputs and outputs on the Moog Subsequent 37 analogue synth

The essence of Moog

Right now, the Moog Subsequent 37 is about as flexible, versatile, and sonically powerful as monophonic synths get. So for all keyboard players who are after that unmistakable Moog sound – but who don't want to do without modern conveniences like DAW integration, a full-featured sequencer, and a whole host of presets – this is the one to beat. And the price? Surprisingly accessible, considering everything it delivers.

135 Klantenbeoordelingen

4.9 / 5

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B
Machtige sound
BassGuy 15.01.2020
Ik ben bassist en gebruik de Subsequent 37 ook als Bas instrument. Ik heb een piano verleden dus kan makkelijk uit de voeten met toetsen. 37 keys is ook echt wat je nodig hebt. Buiten de range van 37 keys worden de sounds niet echt bruikbaar voor mijn toepassingen. Als je geen toetsenist bent dan denk ik dat de 2 octaven van de sub phatty ook wel volstaat in combinatie met de octave knop en de pitch band en bespaar je een hoop geld. De Moog accessoires, zoals gig bag en dust cover, staan kwalitatief in schril contrast met de Subsequent 37 en zijn ronduit een aanfluiting. Doe jezelf een plezier en bespaar ook nog eens door Gig bag en dust cover alternatieven te kopen.
Lastig is soms om tijdens een show, waarbij het best donker kan zijn, de opschriften te lezen en de patch knoppen te zien. Een lessenaar lampje van bijvoorbeeld K&M met knijper is dan wel nodig en die kan je goed op de Subsequent zetten.
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Moog Subsequent 37
RámonV 04.12.2021
Fantastisch design, typische Moog sound. Donkere klank. Diep. Veel mogelijkheden qua sound design. Ideaal voor sub lagen in iedere vorm van productie. Voor zowel pop als dance een musthave in je studio.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
G
First Synth
Geo-MT 19.04.2021
The Moog subsequent 37 was my first every synth. It was a very good decision to start my journey in music production with this beast since it's very easy to get used to and there's a lot of videos online to help you get used to it. Plus there's a ton of presets out there.

Nowadays since I'm mostly composing Industrial Techno I use Sub 37 for my sub-bases and mostly when composing Experimental.

Pros - Incredible high-quality sounds and clarity

The dual oscillators provide great flexibility and impressive freedom in sound design.

An impressive arpeggiator with step sequencing functions

direct control on windows.

Cons - There are no general downlights from my experience with Moog only that's my studio is too small and the sub 37 is quite large for 37 keys

- on the other hand, advanced users might fight the 37 keys very limiting.

- no cv output

I would strongly recommend to everyone especially beginners like me to get this Synth if you have the budget since it's a bit steep. The thing is, with Moog synthesizers, it’s hard to come up with reasons why you shouldn’t get one and explore its modulation possibilities. Get IT!
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
Z
Synth of a Beast
Zavarakatranemia 10.10.2018
Great sounding synth. Phat analogue Moog sound. Great for bass and lead sounds but it can also get versatile and very deep with all mod possibilities.

This is my first Moog and I must say not only it looks nice, the construction is top and the knobs feel great. But most importantly it sounds amazing. Nice and thick low frequencies, but there's more than that. Capabilities are endless. And of course the moog filter needs no introduction. Just perfect, 4-steps and the overdrive. Duophonic mode is a big plus also.

Preset buttons are very helpful, you can access any saved preset in no time. In sequencer mode they become sequencer steps, with visual representation and edit capabilities. The overall workflow is quite nice. One-knob per function makes everything easier.

The free editor/librarian VST from Moog works great with DAW and there's also a standalone version which works the same. With the librarian, you can of course save and edit the presets on the hardware memory, but you can also save presets on your computer, which can come very handy. In fact there were some more presets included with the installation, which I didn't know about.

Unfortunately you can only run one VST editor in each project, so for more sounds inevitably you need to bounce (and organize by saving midi & preset if you need to go back sometime). Other than that, I cannot find many cons about this synth. Ok maybe the screen is a bit small but you get used to it.

Great sounding synth of a beast
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