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Hughes & Kettner ERA 2 Wood B-Stock

B-Stock met volledige garantie
Geretourneerd product met mogelijk lichte gebruikssporen

Versterker voor Acoustische instrumenten

  • Uitgangsvermogen: 400 W
  • Voor westerngitaar, klassieke gitaar, accordeon, snaren, keyboard, citer enz.
  • Hoge detailresolutie
  • Directe en onvervalste geluidsweergave
  • Ruime headroom voor een dynamisch gevoel
  • Nauwkeurige weergave van het gehele frequentiespectrum door 2 x 8 '' op maat gemaakte luidspreker + 1 '' dome-tweeter
  • Kanaal 1 en 2 identiek en bruikbaar voor twee instrumenten of instrument en zang of twee stemmen
  • Kanaal 1 en 2 elk uitgerust met hoge resolutie microfoon- en instrument-ingang (XLR / jack combo jack - fantoomvoeding schakelbaar) schakelaar: -10 dB / shape / mute gain control 3-bands EQ met twee modi (bijv. Voor stalen snaren en nylon) string)
  • Kanaal-specifieke FX-engine met 16 programma's (reverbs, chorus, flanger enz.)
  • Kanaal 3 / Aux In 3,5 mm stereo-ingang voor een externe audiobron
  • Kanaal 4 / FX-Return 6,3 mm stereo-ingang, instelbaar voor apparaten met lijnniveau
  • Mastersectie met volume- en notch-filters voor onderdrukking van resonanties
  • 5 uitgangen (DI, Line, Tuner, Koptelefoons, Digital Out S / PDIF Toslink)
  • FX-lus: 6,3 mm FX-send
  • 35 mm hoge statief-flens
  • Gewicht: 14.1 kg
  • Afmetingen (B x H x D): 350 x 475 x 290 mm
  • Kleur: natuur vernis
  • Incl. tiltback (25 ° / 35 °) en gewatteerde beschermhoes
  • Gemaakt in Duitsland
  • Aanbevolen accessoires: voetschakelaar Hughes & Kettner FS-2 (artikel 548114, niet inbegrepen)
  • Leverbaar sinds Januari 2018
  • artikelnummer 441389
  • verkoopseenheid 1 stuk
  • Power in Watts 400
  • Speaker size 2x 8", 1x 1"
  • Channels 4
  • Reverb Yes
  • Effects Processor Yes
  • External FX Loop Yes
  • Microphone Input Yes
  • Phantom Power Yes
  • Line Input Yes
  • Battery Operation No
  • Footswitch connection Yes
  • Incl. Footswitch No
  • Weight in kg 14,1 kg
ook als nieuw beschikbaar. € 985
€ 899
Alle prijzen incl. btw
Direct leverbaar

The dawn of a new acoustic era

Does the world really need yet another acoustic amplifier? “Yes” is the simple answer - after all, someone has to do the job properly, and the manufacturer now taking up the gauntlet is Saarland-based Hughes & Kettner. Present one of the most renowned amp designers in Germany with a highly pragmatic requirement profile and the result will be of the highest quality. The Hughes & Kettner era 2 is already the second amp to emerge from this collaboration and is larger, more powerful, and louder than its sibling, the era 1. Four channels, a 400-watt output, and a weight of just 14 kilograms are features that simply cannot be ignored, particularly when the resulting sound is also something special.

Hughes&Kettner ERA 2 Wood Acoustic Amplifier

Features, features, features ...

The Hughes & Kettner era 2 is a 400-watt amp which features two 8" speakers together with a 1" dome tweeter and has been specially designed for acoustic instruments. It offers two identical, extensively equipped channels as well as two further inputs with a level adjustment facility, with one acting as an effects return. Signal processing takes place on an entirely digital basis, with the result that when the three-band equaliser is adjusted, for example, a whole host of complex processes, which are all optimised for acoustic instruments, are carried out undetected. The effects section is also optimally integrated, delivering well-known spatial and modulation effects, and lavishing a beautiful sound quality on acoustics and vocals alike. Since an amp of this calibre should not be placed directly on the floor (that much is obvious!), the era 2 also features a stand-mounting flange on the underside as well as a tilting stand built into the classic, dark-stained wooden housing.

Hughes&Kettner ERA 2 Wood Acoustic Amplifier on tilt stand

Ideal for piezo pickups

With the era 1, Hughes & Kettner has created a thoroughly professional product which is lightweight, compact, and extremely powerful, and is compatible with all manner of acoustic instruments. In contrast to the era 1, however, it also delivers an impressive output when used with instruments which operate at low frequencies such as the upright or acoustic bass. Boasting a clear, natural, and powerful tone, the era 2 can also hold its own in louder environments, and will prove a suitable companion for even the most discerning professionals. Unlike many other amps, which fall by the wayside in this respect, a striking feature of the era 2 is just how well it works with piezo pickups, delivering a surprisingly natural sound from appropriately equipped instruments, even if the guitar does not come with a preamp.

Hughes&Kettner logo on the ERA 2 Wood Acoustic Amplifier

About Hughes & Kettner

Hughes & Kettner is one of the largest German suppliers of guitar and bass amplifiers. Founded in 1984 by Hans and Lothar Stamer under the name Stamer Musikanlagen GmbH, the manufacturer from St. Wendel in the Saarland can boast of its numerous innovations. For example, its first venture into the field of guitar amplifiers, the ASR64 from 1986, was the first programmable amplifier in the world. Thanks to its compact format, the Cream Machine of 1987 can be counted among the very first mini tube amplifiers. Equally influential were the Red Box analogue speaker simulation, the first six-channel amplifier (the Triamp), and the ZenTera, which used modelling technology in an integrated amplifier even before Line 6.

Flying high

An inherent feature of an acoustic amplifier is that it amplifies acoustic instruments when they are too quiet, for example when used in combination with other instruments or when filling a larger room with sound, and this makes the era 2 the proverbial stage hog. However, to make sure the sound of the amp is projected at sufficient height for the band and audience to hear it properly, it will need to be adequately elevated using the integrated stand-mounting flange, where it can then be used as the sole amp for a singer/guitarist in smaller locations while still keeping a further two inputs free for samples and playback tracks. Any concerns about a lack of power or punch are also rendered completely unwarranted.