The EBS MicroBass 3 is a highly versatile analogue preamp that gives bassists full control over their sound in any environment. Designed in Sweden and based on technologies from EBS's flagship HD360 and Fafner II amps, it features two fully independent channels – Clean and Drive – that can be run in series or parallel, allowing tones to be split or blended, creating a wide range of textures. This flexible architecture delivers everything from pristine modern cleans to gritty rock drive, further shaped via a comprehensive 3-band EQ with a semi-parametric mid sweep (110Hz–5kHz) and a musical VCA compressor for added consistency and dynamic control. With pro-level connectivity for live, studio, and quiet practice setups, the EBS MicroBass 3 is a compact yet fully equipped hub for serious bass players on the move.
Like yin and yang, the EBS MicroBass 3's two fully independent channels offer everything from clarity to grit to create a wealth of contrasting bass tones. The hi-fi Clean channel draws from the EBS HD360, while the Drive section channels the aggressive character of the Fafner II. Whether run in series or parallel, both channels can be precisely blended with each other via a dedicated knob, generating textures that range from studio-smooth to raging distortion. The Clean section includes Character and Bright switches for mid-scooped or airy modern tones, while the Drive channel features Hi/Lo gain engines, a 3-way Type switch (Thin/Normal/Deep), and dedicated Tone and Level controls for fine-tuning distortion behaviour. The shared 3-band EQ with sweepable mids (110Hz–5kHz) further refines tone-shaping options, while the musical one-knob VCA compressor smooths out dynamics without compromising clarity.
Few preamps offer the routing flexibility of the EBS MicroBass 3. In series mode, its 10 mega-ohm high-impedance input accommodates virtually any bass, including passive pickups, active circuits, and even piezo-equipped acoustics. Operating at a professional signal level with ample headroom, the MicroBass 3 integrates seamlessly with mixers, interfaces, and power amps, delivering clean or processed signals simultaneously via its dual balanced XLR outputs – configurable for pre/post EQ or stereo FX loop return. The rear panel also includes a stereo-capable effects loop, a dedicated input for the Drive channel, a serial/parallel switch, and a ground lift. An auxiliary input and headphone output round out the feature set, making the MicroBass 3 equally suited to travel setups, quiet practice, and complex live or studio rigs.
The Swedish amplifier manufacturer EBS has been producing professional equipment for bassists since 1988 and has gained an excellent reputation in the scene with powerful solid-state amps. The portfolio of the company has been constantly expanding over the years, so that EBS is now really broadly positioned with bass tops, combos and cabinets in various price and performance classes as well as an extraordinarily successful effects pedal series. It offers solutions for almost every bass-relevant application. No wonder that even international bass heavyweights such as Billy Sheehan, Stanley Clarke or Tony Levin rely on EBS products on tour and in the studio.
Many bassists have experienced the frustration of arriving at a venue or festival only to find the provided backline isn't up to par. With the EBS MicroBass 3 tucked into their gig bag, that problem disappears: Its dual DIs allow players to bypass substandard amps entirely, shape their tone with precision, and send it straight to FOH. In the studio, the pristine signal path and dual-channel design allow clean and driven tracks to be captured independently or blended on the fly, with comprehensive EQ and gain controls that often remove the need for extra processing. Whether used as a pedalboard preamp, studio DI, or gigging backup, the rugged build, transparent tone, and user-focused features of the EBS MicroBass 3 offer real-world versatility and professional-grade results.