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Cloud Microphones Cloudlifter CL-X

4.1 van de 5 sterren van 7 klantbeoordelingen ()

Mic activator

  • Met Cinemag transformer
  • 1-Kanaals niveauversterker met maximaal +36 dB gain
  • Geschikt voor ribbonmicrofoons, buismicrofoons en dynamische microfoons
  • Werkt met +48V fantoomvoeding (veilig voor passieve ribbonmicrofoons - geen overdracht van fantoomvoeding)
  • Verbetert de signaal-ruisverhouding en verhoogt de microfoongevoeligheid
  • +12 dB of +36 dB versterking selecteerbaar via schakelaar
  • Frequentiebereik: 5 Hz - 80.000 Hz
  • Metalen behuizing
  • XLR ingang en uitgang
  • Afmetingen (B x D x H): 120 x 49 x 49 mm
  • Gewicht: 320 g
  • Leverbaar sinds September 2024
  • artikelnummer 600866
  • verkoopseenheid 1 stuk
  • Channels 1
  • Number of microphone inputs 1
  • Instrument input No
  • Tubes No
  • Compressor/Limiter No
  • Equalizer No
  • De-Esser No
  • Phantom power No
  • Phase Reverse No
  • External effect loops No
  • Analogue Outputs XLR
  • Digitale Outputs -
  • Headphone connection No
  • Level Meter No
  • Design Desktop
€ 229
Alle prijzen incl. btw
Direct leverbaar
1

Instant character, in-line gain

The Cloudlifter CL-X serves the same core function as the rest of the Cloudlifter range – pulling usable signal from ribbon, dynamic, and valve microphones with low output levels – but takes a fundamentally different approach to how it gets there. Where the CL-1, CL-2, and CL-Z are designed for the cleanest, most transparent gain possible, the CL-X deliberately shapes the character of the signal. The Cinemag transformer at the heart of the design provides excellent noise isolation while adding tonal colour and musicality. Depending on the microphone used and the gain settings, the CL-X adds low-mid warmth, gentle transient smoothing, and the subtle harmonic enrichment associated with classic transformer-based circuits. Compact enough to disappear into any signal chain, sturdy enough for stage and touring use, the CL-X is a gain stage and tone shaper in a single in-line unit.

Cloud Microphones Cloudlifter CL-X, in-line mic gain with transformer character

Plenty of gain...

The Cloudlifter CL‑X pairs its Cinemag transformer with an active gain stage delivering up to +36dB – enough headroom for the quietest passive ribbons and low-output dynamic broadcast mics. A two-position switch reduces this to +12dB for louder sources or situations where the transformer character is wanted but the full gain isn't. At +36dB the transformer's contribution is more pronounced – low-mid density, transient rounding, and harmonic saturation all become more audible as the gain stage works harder. At +12dB the effect is subtler, closer to the transparent end of the range while retaining the Cinemag's tonal signature. Like all Cloudlifters, the CL-X draws 48V phantom power from downstream and blocks it from reaching the microphone, keeping passive ribbon mics safe by design.

Cloud Microphones Cloudlifter CL-X, in-line mic gain with transformer character

...for focused functionality

The CL-X suits engineers and recordists who want transformer colour at source – voices that benefit from low-mid intimacy, broadcast speech, spoken-word podcasts, guitar and bass amplifiers, brass and woodwind, and complex acoustic instruments where a touch of harmonic richness and transient smoothing improves the recorded result without any additional processing downstream. The phantom-blocking design makes it safe for sensitive passive ribbons, where the combination of protection and transformer character is particularly useful. For engineers who want tonal control without committing to a fixed transformer sound, the Cloud Microphones also make the CL-Z, with a variable-impedance dial that offers a different kind of shaping – leaner and more adjustable, without the Cinemag's harmonic contribution.

Cloud Microphones Logo

About Cloud Microphones

US manufacturer Cloud Microphones has been developing and manufacturing microphones and microphone preamps since 2009. Company founder Stephen Sank draws on a family tradition in microphone design that now spans three generations. The range includes ribbon microphones that follow in the tradition of classic RCA models, while combining this heritage with modern design and the company's own patented technologies. Alongside these sits the Cloudlifter line of preamp units. Designed as inline devices, they use the phantom power available at microphone inputs to provide clean, noise‑free signal gain for dynamic and ribbon microphones, without adding unwanted tonal colour. Cloud Microphones has built its reputation not only on the exceptional robustness of its devices, but also on the fact that all components are manufactured in the United States.

Simple, powerful, effective

The CL-X connects between microphone and preamp via standard locking XLR connectors, with no configuration beyond the single gain switch, and no power supply beyond the phantom power the downstream preamp already provides. The integrated rear bracket mounts it to a mic stand alongside the microphone; four non-slip feet keep it stable on a desk or console surface. In practice, both signal-to-noise ratio and headroom improve immediately: voices gain intimacy and presence, broadcast speech takes on low-mid body, acoustic instruments pick up harmonic richness – all before the signal reaches the preamp. The CL-X has a well-defined role and carries it out brilliantly – one switch, one transformer, one decision: how much character to add.

7 Klantenbeoordelingen

4.1 / 5

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6 Recensies

google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
I
The best preamp you will need
IskanderHero 05.04.2026
I bought It for my SM7B. I was ussing a fretthead, which was nice and doing its work, but i was feeling that the sound wasn't as good as It should. I always felt that the gain I had to put on it for the sound to be clear was either too much or i had to be too close to the mic.
The CL-X did what i was expecting and more. The preamp is not a very noticeable part of your system, or at least not an easy one to point at when looking for a better sound. As soon as I plugged it and pressed the +12 button, i was relieved. That's what i was looking for. That's what i needed to lower the gain and not be so close to the mic all the time.
Must buy if your microphone needs a standalone preamp, worth every Penny/cent
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google translate de
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
N
Top Gerät
NoahSchnee 30.11.2025
Ich nutze den Cloudlifter hauptsächlich mit einem SM7b an einem Neumann MT48 für Vocals. Das SM7b direkt ins Interface bringt für meinen Geschmack zu viel Rauschen hoch, obwohl das MT48 locker genug sauberen Gain liefern kann. Das Mikrofon über den 1073 preamp funktioniert wunderbar, absolut rauscharm! Jedoch gefällt mit der Klang nicht so gut mit der Färbung des preamps. Direkt am MT48 klang es besser. Eigentlich wollte ich den „normalen“ Cloudlifter oder alternativ den FetHead von Triton, jedoch war der CL-X in einem unschlagbaren Angebot verfügbar. Ich muss sagen mir gefällt der Klang super, der Cinemag Übertrager färbt nicht zu sehr, bring aber nochmals ein kleines bisschen mehr Sättigung. Für meine Zwecke eine super Lösung.
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google translate de
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
D
Bringt die alten Omnis nach vorne.
David4261 02.12.2025
Verwendet an Rft MD-30 und Sennheiser MD-21 als heartmic für drums.
Klingt gut.

Für EUR 79,- im cybersale erstanden.
Strassenpreis ein bisschen happig für die Kiste.
Hoffe es begleitet mich ein paar sessions lang.
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google translate dk
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
ET
Afskærmning mangler
Ebbe T 03.12.2025
Den ene halvdel af boksen er ikke ordentlig afskærmet. Jeg måtte skrabe maling af og montere en stjerneskive, I ved dem med tænder, så der kunne komme forbindelse og rigtig afskærmning mod elektromagnetisk støj.
Jeg kommer ikke til at anbefale et produkt før sådan noget helt essentielt er lavet rigtigt.

Indeni er der mulighed for ground lift med en jumper.
Men altså, det ground lift skal jo blot løfte på sekundær side og fortsat lade chassiset være grounded mod primær side ind imod preamp?

Det kunne være et godt produkt, for det ser ellers ud til at være robust bygget og gør tilsyneladende det som Cloud siger.
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