{"id":10004922,"date":"2026-10-09T14:30:00","date_gmt":"2026-10-09T12:30:00","guid":{"rendered":"https:\/\/www.thomann.nl\/blog\/?p=10004922"},"modified":"2026-10-07T13:09:30","modified_gmt":"2026-10-07T11:09:30","slug":"de-sound-van-dream-theater","status":"publish","type":"post","link":"https:\/\/www.thomann.nl\/blog\/gear\/de-sound-van-dream-theater\/","title":{"rendered":"De sound van Dream Theater"},"content":{"rendered":"\n

Dream Theater is een band die geen ruimte laat voor een middenweg: je bent er helemaal weg van of je hebt er helemaal niets mee. Je gaat niet zomaar naar een concert van de band voor een leuk avondje uit; het is een ervaring die de luisteraar volledig meesleept. De meesters van de progressieve metal hebben in hun veertigjarige carri\u00e8re maar liefst zestien studioalbums uitgebracht en wereldwijd meer dan twaalf miljoen albums verkocht, maar bovenal hebben ze een bijna obsessief trouwe fanbase opgebouwd. Veel fans van Dream Theater zijn bovendien zelf muzikant, wat meteen verklaart waarom er zo\u2019n indrukwekkende hoeveelheid signature-gear van John Petrucci, gitarist en medeoprichter van de band, op de markt is verschenen. Nu de band zijn tiende livealbum heeft uitgebracht, en het tweede dat in Parijs werd opgenomen, nemen we de belangrijkste elementen onder de loep die bepalend zijn geweest voor de sound van Petrucci.<\/p>\n\n\n\n

<\/a>Onder de vingers<\/strong><\/h2>\n\n\n\n

John Petrucci geldt als een van de grootste shredders van dit moment, met een beheersing van alternate picking die niet onderdoet voor die van pioniers als Al Di Meola en Steve Morse (die overigens grote invloeden op hem zijn). Qua sound vond hij zijn definitieve formule al op het tweede album (en het eerste met James LaBrie als zanger), Images And Words<\/em> uit 1992. Hij wisselt tussen een ultrakristalheldere cleane sound met chorus en delay, een zeer agressieve en droge metal-rhythm-sound die dicht in de buurt komt van Metallica op Master Of Puppets<\/em>, en een warme, vloeiende leadsound die rijkelijk is voorzien van delay.<\/p>\n\n\n

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Ibanez\n <\/p>\n

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DiMarzio\n <\/p>\n

DP161 BK F-Spaced\n <\/h3>\n <\/span>\n\n
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Wat zijn gitaren betreft, zagen we hem eerst bij B.C. Rich en vanaf het einde van de jaren 80 bij Ibanez, onder meer met de strato\u00efde EX-serie. Maar in 1995 is de band succesvol genoeg om zijn custommodel als regulier productiemodel uit te brengen: de beroemde JPM (John Petrucci Model). Het is een RG-achtige gitaar met Floyd Rose en twee DiMarzio-humbuckers (een merk waaraan hij tot op de dag van vandaag trouw is gebleven), een Steve’s Special bij de brug en een Air Norton bij de hals, afgewerkt met een behoorlijk knotsgek Picasso-design. Tegelijkertijd ontdekt hij de zevensnarige gitaar via Steve Vai’s Ibanez Universe, die hij op Awake<\/em> uit 1994 op radicale wijze inzet en waarmee hij djent uitvindt lang voordat het genre die naam krijgt.<\/p>\n\n\n\n

Op NAMM 2001 komt het nieuws naar buiten: aan het begin van het nieuwe millennium, nadat de band uitgebreid heeft getourd ter promotie van zijn meesterwerk Metropolis Pt. 2: Scenes from a Memory, brengt Petrucci een model uit bij MusicMan. Een kwart eeuw later is hij nog altijd aan het Californische merk verbonden en is het model inmiddels in maar liefst 16 \u2018standaardversies\u2019 verschenen. Tel daar de zevensnarige uitvoeringen, gelimiteerde BFR-edities en verschillende Sterling-modellen bij op en je hebt een collectie waarmee je zo een winkel kunt vullen. Vanaf het begin hebben de MusicMan JP-modellen een zeer vlakke radius van 17 inch, een vorm die volledig is ontworpen met ergonomie en speelbaarheid in gedachten, een MusicMan-tremolo zonder locking-systeem en een pi\u00ebzosysteem naast de magnetische pickups. Sinds versie 13 zijn de pickups DiMarzio Illuminators en voor versie 16 besloot Petrucci het eens over een andere boeg te gooien door een Floyd Rose te gebruiken. Er bestaat ook een gelimiteerde baritonversie.<\/p>\n\n\n

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Ibanez\n <\/p>\n

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Music Man\n <\/p>\n

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Music Man\n <\/p>\n

Petrucci JP15 7 Ultramarine QT\n <\/h3>\n <\/span>\n\n
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JP15 BFR Toxic Sludge\n <\/h3>\n <\/span>\n\n
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Illuminator DP257 F-Spaced BK\n <\/h3>\n <\/span>\n\n
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Daarnaast produceert MusicMan sinds 2014 ook de Majesty, een heel andere uitvoering van het Petrucci-model, eveneens verkrijgbaar met 6 of 7 snaren en in verschillende BFR- en Sterling-edities. De vorm is nog ergonomischer en gestroomlijnder, de toets is van ebbenhout in plaats van geroosterd esdoorn, de pickups zijn DiMarzio Rainmaker- en Dreamcatcher-modellen en bovenal heeft deze gitaar een doorlopende hals in plaats van een geschroefde hals. Petrucci kiest regelmatig exotische houtsoorten voor steeds spectaculairdere tops op dit model, dat voortdurend verder wordt ontwikkeld.<\/p>\n\n\n

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Ibanez\n <\/p>\n

RG8520-GE RG j.custom\n <\/h3>\n <\/span>\n\n
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DiMarzio\n <\/p>\n

DP161 BK F-Spaced\n <\/h3>\n <\/span>\n\n
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\n \n 108 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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DiMarzio\n <\/p>\n

DP193F Air Norton BK\n <\/h3>\n <\/span>\n\n
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\n \n 105 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"UV70P-BK\"\n\n <\/div>\n\n
\n\n
\n\n \n

Ibanez\n <\/p>\n

UV70P-BK\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (19)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1,439 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Petrucci\n <\/div>\n\n
\n\n
\n\n \n

Music Man\n <\/p>\n

Petrucci JP15 Purple Nebula\n <\/h3>\n <\/span>\n\n
\n Beoordeling 7.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (3)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 3,949 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Petrucci\n <\/div>\n\n
\n\n
\n\n \n

Music Man\n <\/p>\n

Petrucci JP15 7 Ultramarine QT\n <\/h3>\n <\/span>\n\n
\n Beoordeling 10.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 4,799 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"JP15\n <\/div>\n\n
\n\n
\n\n \n

Music Man\n <\/p>\n

JP15 BFR Toxic Sludge\n <\/h3>\n <\/span>\n\n
\n Beoordeling 10.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (3)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 5,069 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Sterling by Music Man\n <\/p>\n

John Petrucci JP70 SBK\n <\/h3>\n <\/span>\n\n
\n Beoordeling 0 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 799 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Illuminator\n <\/div>\n\n
\n\n
\n\n \n

DiMarzio\n <\/p>\n

Illuminator DP257 F-Spaced BK\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (20)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 118 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"JP15\n <\/div>\n\n
\n\n
\n\n \n

Music Man\n <\/p>\n

JP15 Baritone BFR Cherry CS\n <\/h3>\n <\/span>\n\n
\n Beoordeling 4.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 4,199 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Music Man\n <\/p>\n

John Petrucci Majesty 6 GG\n <\/h3>\n <\/span>\n\n
\n Beoordeling 10.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 4,649 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Music Man\n <\/p>\n

John Petrucci BFR Majesty 7 RN\n <\/h3>\n <\/span>\n\n
\n Beoordeling 10.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 6,099 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Music Man\n <\/p>\n

John Petrucci BFR Majesty 7 M\n <\/h3>\n <\/span>\n\n
\n Beoordeling 0 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 7,299 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Majesty\n <\/div>\n\n
\n\n
\n\n \n

Sterling by Music Man\n <\/p>\n

Majesty 100 Artic Dream\n <\/h3>\n <\/span>\n\n
\n Beoordeling 10.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1,249 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Music Man\n <\/p>\n

John Petrucci BFR Majesty 7 BI\n <\/h3>\n <\/span>\n\n
\n Beoordeling 0 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 6,199 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"DP\n <\/div>\n\n
\n\n
\n\n \n

DiMarzio\n <\/p>\n

DP 281BK+BK Rainmaker Neck\n <\/h3>\n <\/span>\n\n
\n Beoordeling 0 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n \n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"DP\n <\/div>\n\n
\n\n
\n\n \n

DiMarzio\n <\/p>\n

DP 282FBK+BK Dreamcatcher\n <\/h3>\n <\/span>\n\n
\n Beoordeling 0 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n \n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

<\/p>\n\n\n\n

\n
<\/div>
<\/div>

U bekijkt momenteel inhoud van een plaatshouder van YouTube<\/strong>. Klik op de knop hieronder om de volledige inhoud te bekijken. Houd er rekening mee dat u op deze manier gegevens deelt met providers van derden.<\/p> Meer informatie<\/a> <\/div>

Ontgrendel deze inhoud<\/a> Accepteer de vereiste service en deblokkeer de inhoud<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

<\/a>Buizenwerk<\/strong><\/h2>\n\n\n\n

In tegenstelling tot de meeste hedendaagse gitaristen, zeker binnen de metal, is John Petrucci niet gezwicht voor de verleiding van de Quad Cortex en andere digitale simulaties. Vanaf het begin zitten er buizen in zijn rack en voor zijn ideale sound komt hij steevast bij Mesa Boogie uit. Ten tijde van Images And Words<\/em> in 1992 gebruikt hij in de studio de Quad Preamp en live twee Triaxis-preamps, in beide gevallen in combinatie met de Two Ninety-eindversterker. Met Awake <\/em>uit 1994 ontdekt hij de Mark II C+, die voor hem een referentiesound zal blijven, en hij gebruikt daarnaast een Dual Rectifier. Op Train Of Thought <\/em>uit 2003 horen we een Road King, maar voor zijn soloalbum Suspended Animation<\/em> uit 2005 keert hij terug naar de C+. Vervolgens volgt hij de evolutie van de sterversterker van het merk: de Mark IV in 2007 op Systematic Chaos<\/em> en de Mark V in 2013 op het gelijknamige album.<\/p>\n\n\n

\n \n \n
\n
\n \n
\n
\n \"Quad\n <\/div>\n <\/div>\n \n \n
\n \n

Neural DSP<\/p>\n

Quad Cortex<\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (578)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1,690 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Maar in 2016 wordt John Petrucci de enige gitarist met een eigen signature-model bij Mesa Boogie. De JP-2C is een 100-watt-top met drie kanalen en twee grafische vijfbands-EQ\u2019s waarin al Johns favoriete sounds samenkomen. In tien jaar tijd is de JP-2C nauwelijks veranderd en hij vormt nog altijd de basis van de Dream Theater-sound. Live gaat hij naar een rechte Rectifier 4×12-cabinet in een iso box, zodat hij niet te veel ruimte in het totale geluidsbeeld inneemt.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"IIC+\n <\/div>\n\n
\n\n
\n\n \n

Mesa Boogie\n <\/p>\n

IIC+ HRG Head\n <\/h3>\n <\/span>\n\n
\n Beoordeling 0 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 3,699 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"90s\n <\/div>\n\n
\n\n
\n\n \n

Mesa Boogie\n <\/p>\n

90s Dual Rectifier Standard\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (2)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 3,099 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Mark\n <\/div>\n\n
\n\n
\n\n \n

Mesa Boogie\n <\/p>\n

Mark Five:25\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (23)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 2,199 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"JP-2C\n <\/div>\n\n
\n\n
\n\n \n

Mesa Boogie\n <\/p>\n

JP-2C Head\n <\/h3>\n <\/span>\n\n
\n Beoordeling 10.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (11)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 4,444 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"4x12\n <\/div>\n\n
\n\n
\n\n \n

Mesa Boogie\n <\/p>\n

4×12 Rectifier Stand. Straight\n <\/h3>\n <\/span>\n\n
\n Beoordeling 10.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (6)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1,699 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n
\n
<\/div>
<\/div>

U bekijkt momenteel inhoud van een plaatshouder van YouTube<\/strong>. Klik op de knop hieronder om de volledige inhoud te bekijken. Houd er rekening mee dat u op deze manier gegevens deelt met providers van derden.<\/p> Meer informatie<\/a> <\/div>

Ontgrendel deze inhoud<\/a> Accepteer de vereiste service en deblokkeer de inhoud<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

<\/a>De racks<\/strong><\/h2>\n\n\n\n

Wat effecten betreft, is Petrucci bijzonder precies en veeleisend. Hij gebruikt relatief weinig effecten, maar elk onderdeel is van topkwaliteit. Al vanaf het begin haalt hij zijn delays en modulatie-effecten uit de legendarische TC Electronic 2290-rackunit, die in de meeste versies van zijn rig terugkomt, tot en met de versie uit 2024, waarin zowel de oorspronkelijke rackunit als de recentere pedaalversie is opgenomen.<\/p>\n\n\n\n

In 2002 bevat zijn rig een Dunlop CryBaby-rackwah en een rack met pedalen, waaronder een Boss DD-3 Delay, een MXR Phase 90 en een Fulltone Full Drive 2. Voor de multieffecten gebruikt hij naast de 2290 ook een Eventide DSP7000-rackunit en de TC Electronic M2000.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"2290\n <\/div>\n\n
\n\n
\n\n \n

tc electronic\n <\/p>\n

2290 P Dynamic Delay Pedal\n <\/h3>\n <\/span>\n\n
\n Beoordeling 8.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (17)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 195 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"DCR\n <\/div>\n\n
\n\n
\n\n \n

Dunlop\n <\/p>\n

DCR 2SR Rack Crybaby\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (19)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 883 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"DD-3T\n <\/div>\n\n
\n\n
\n\n \n

Boss\n <\/p>\n

DD-3T Digital Delay\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (75)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 144 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Phase\n <\/div>\n\n
\n\n
\n\n \n

MXR\n <\/p>\n

Phase 90\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (432)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 95 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Full-Drive\n <\/div>\n\n
\n\n
\n\n \n

Fulltone\n <\/p>\n

Full-Drive 3\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (23)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 199 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"H9000\n <\/div>\n\n
\n\n
\n\n \n

Eventide\n <\/p>\n

H9000 Gen2\n <\/h3>\n <\/span>\n\n
\n Beoordeling 2.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 7,999 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

In 2016 wordt Petrucci\u2019s systeem in twee\u00ebn gesplitst: aan de ene kant gaat het pi\u00ebzosignaal naar een TC Electronic BodyRez-pedaal en vervolgens naar een Radial DI, terwijl aan de andere kant het signaal van de magnetische pickups loopt. Dat is ook het jaar waarin de CryBaby Petrucci wordt uitgebracht. Dit model blijft een van de interessantste signature-modellen uit het zeer uitgebreide Dunlop-assortiment, omdat het is voorzien van trimpots waarmee de instellingen van de rackversie kunnen worden nagebootst. In die periode gebruikt hij ook een TC HyperGravity Compressor, een Keeley Red Dirt Overdrive, een TC Helix Phaser, twee TC Dreamscape-pedalen (zijn signature-modulatiepedaal) en een MXR Uni-Vibe.<\/p>\n\n\n\n

In de meest recente versie van zijn rig uit 2024 blijft het systeem grotendeels hetzelfde, met een stereosplitsing waarbij twee MXR Chorus-pedalen met licht verschillende instellingen worden gebruikt.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"BodyRez\"\n\n <\/div>\n\n
\n\n
\n\n \n

tc electronic\n <\/p>\n

BodyRez\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (264)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 63 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"PZ-DI\"\n\n <\/div>\n\n
\n\n
\n\n \n

Radial Engineering\n <\/p>\n

PZ-DI\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (30)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 299 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Dunlop\n <\/p>\n

John Petrucci Cry Baby Wah\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (41)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 273 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Hypergravity\n <\/div>\n\n
\n\n
\n\n \n

tc electronic\n <\/p>\n

Hypergravity Mini\n <\/h3>\n <\/span>\n\n
\n Beoordeling 8.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (65)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 67 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"M68\n <\/div>\n\n
\n\n
\n\n \n

MXR\n <\/p>\n

M68 Uni-Vibe Chorus\/Vibrato\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (125)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 154 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"M134\n <\/div>\n\n
\n\n
\n\n \n

MXR\n <\/p>\n

M134 Stereo Chorus\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (69)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 209 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

<\/p>\n\n\n\n

\n
<\/div>
<\/div>

U bekijkt momenteel inhoud van een plaatshouder van YouTube<\/strong>. Klik op de knop hieronder om de volledige inhoud te bekijken. Houd er rekening mee dat u op deze manier gegevens deelt met providers van derden.<\/p> Meer informatie<\/a> <\/div>

Ontgrendel deze inhoud<\/a> Accepteer de vereiste service en deblokkeer de inhoud<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

<\/a>Onmisbare accessoires<\/strong><\/h2>\n\n\n\n

John is een gitarist die niets aan het toeval overlaat, en ook de kleinste details van zijn gear zijn zorgvuldig uitgedacht. Hij heeft inmiddels zoveel signature-plectrums bij Dunlop dat ze zelfs in \u00e9\u00e9n pack zijn samengebracht. Daarin vinden we de Ultex Jazz III, Flow, Trinity en PrimeTone Jazz. Wat snaren betreft, zweert hij nog altijd bij Ernie Ball Slinky 10-46, een echte klassieker die zijn waarde ruimschoots heeft bewezen. Maar maak je geen illusies: zelfs als je al deze onderdelen bij elkaar brengt, zul je nog altijd een paar duizend uur moeten oefenen voordat je ook maar in de buurt komt van het resultaat van de meester.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Dunlop\n <\/p>\n

John Petrucci Signature Pick\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (94)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 11.90 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Ultex\n <\/div>\n\n
\n\n
\n\n \n

Dunlop\n <\/p>\n

Ultex Jazz III John Petrucci\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1566)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 11.90 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Dunlop\n <\/p>\n

John Petrucci Flow Picks\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (95)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 39 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Dunlop\n <\/p>\n

John Petrucci Trinity Pick\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (71)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 9.90 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Dunlop\n <\/p>\n

John Petrucci PrimetoneJazz RD\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (47)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 12.10 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"2221\"\n\n <\/div>\n\n
\n\n
\n\n \n

Ernie Ball\n <\/p>\n

2221\n <\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (12098)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 5.90 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n
\n\n\n\n

Dit artikel is een bewerking van een oorspronkelijk door\u00a0Julien Bitoun<\/a>\u00a0geschreven artikel. Hij staat vermeld als auteur van het oorspronkelijke Franstalige t.blog-artikel.<\/em>


<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Ontdek de gear achter de sound van Dream Theater: van John Petrucci\u2019s signature-gitaren en Mesa\/Boogie-versterkers tot de effecten die zijn karakteristieke gitaarsound vormgeven.<\/p>\n","protected":false},"author":10025,"featured_media":10004923,"comment_status":"open","ping_status":"0","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[1120],"tags":[],"class_list":["post-10004922","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":6,"formatted":"6 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.nl\/blog\/wp-json\/wp\/v2\/posts\/10004922","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.nl\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.nl\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.nl\/blog\/wp-json\/wp\/v2\/users\/10025"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.nl\/blog\/wp-json\/wp\/v2\/comments?post=10004922"}],"version-history":[{"count":1,"href":"https:\/\/www.thomann.nl\/blog\/wp-json\/wp\/v2\/posts\/10004922\/revisions"}],"predecessor-version":[{"id":10004925,"href":"https:\/\/www.thomann.nl\/blog\/wp-json\/wp\/v2\/posts\/10004922\/revisions\/10004925"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.nl\/blog\/wp-json\/wp\/v2\/media\/10004923"}],"wp:attachment":[{"href":"https:\/\/www.thomann.nl\/blog\/wp-json\/wp\/v2\/media?parent=10004922"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.nl\/blog\/wp-json\/wp\/v2\/categories?post=10004922"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.nl\/blog\/wp-json\/wp\/v2\/tags?post=10004922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}